The Room (2003) Filming Locations - Then & Now in San Francisco / Tommy Wiseau Worst Movie Ever Tour
The Room (2003) Filming Locations
Transcript
0:03
welcome everyone out of the woo here
0:03
you'll notice behind me well obviously
0:05
behind natalie
0:06
are some screen captures today here in
0:10
san francisco wednesday
0:12
august 4th as a recording of this did i
0:15
get that correct yes
0:16
we're gonna be doing the room 2003
0:19
filming locations tommy wassal is at
0:22
wasa
0:24
wazio nonetheless he has
0:27
created a film that has that is living
0:31
on
0:32
an infamy a classic of sorts you know
0:35
when you say when you think about the
0:36
worst movies ever made
0:38
this is probably in the top 10 at least
0:40
maybe the top five
0:42
but we are going to retrace some of the
0:43
steps and
0:45
there are some trolley car cable cars
0:48
involved and the landscape of san
0:51
francisco
0:52
will also be happening starting off here
0:54
at union square
0:57
i almost called it union station we're
0:59
gonna do this this is something i've
1:00
been wanting to do for
1:01
quite a while most of it well
1:05
the interiors were all in los angeles
1:08
the majority of the exteriors in san
1:11
we're not going to hit each and every
1:13
spot we're going to hit a majority
1:15
any particular ones that you were really
1:16
looking forward to seeing with your own
1:18
eyes definitely the flowers
1:20
the flower shop where i think he holds
1:22
the flowers upside down when he leaves
1:25
and then the the the part when he passed
1:27
the dog what did he say
1:30
inviting you to join me oh yeah and
1:32
natalie we have quite a few
1:34
little screen captures here and it's
1:36
very very gusty
1:38
very very windy join me in that one
1:43
now we'll be going a little bit out of
1:44
sequence in order to get it all done in
1:45
one day i'm just going to film it as we
1:47
go to the spots
1:48
but first off you know all around the
1:50
city so it's kind of spread out
1:52
will be when johnny is walking along
1:54
here
1:56
doing a little contemplating a little
1:58
thinking there's a taxi
1:59
behind him and if you notice if you
2:02
watch that scene there is a disney store
2:04
on that very corner the disney store has
2:06
been moved a couple blocks away
2:08
right one block just one block over but
2:10
in the film you can see the disney store
2:12
is that far building behind
2:14
the trees and even the little park
2:16
benches and everything still looks
2:19
precisely the same granted this was back
2:21
in 03 so it wasn't
2:22
too terribly long ago yeah it all looks
2:25
pretty much identical
2:27
when he's doing a little pondering
2:29
walking through here even those park
2:31
benches oh here comes a trolley
2:33
those pigeons weren't there but there
2:34
were trolleys going up and down we're
2:36
going to go over to another one of the
2:37
streets what's the street that had the
2:39
streetcar scene on
2:40
uh california on cal is a california ave
2:43
california street now these pigeons were
2:46
not back here in o3 unless
2:49
the lifespan of a pigeon would be let's
2:52
see it is 2000
2:53
17 years doing the math correctly
2:56
is that right 18 years it's 2021
3:00
it was a no three so it had been yeah 18
3:02
years give or take 17 18 years
3:05
i just kind of want to show one more
3:07
angle here of this little area
3:10
and even this little awning here was
3:13
there back then
3:14
as well oh yeah there are street cars
3:17
going all over here right over there
3:27
the famous western hotel the famous
3:27
westin hotel which
3:28
right up here very unusual because you
3:32
would assume
3:33
his apartment was on ground level but
3:35
they show an exterior right before the
3:37
party at the end of the movie
3:39
that was right up there what the heck
3:41
that's confusing
3:43
so he walked in from the lower like a
3:44
four-story building and then
3:46
suddenly there's the top of this thing
3:49
at the end
3:50
so when it really boils down up here
3:52
would have been
3:54
where the room where everything took
3:56
place even though it was kind of more
3:58
like a couple of rooms and a city
4:01
but if you're thinking of where his room
4:04
was
4:04
it's very very windy so which one of
4:06
these lights would have been
4:08
would have been where the party was
4:11
a good place to have a party yeah right
4:13
up there
4:14
i'm gonna zoom in kind of that same
4:17
angle there
4:29
he gets very frustrated she's frustrated
4:29
what's the what's this i think he says
4:31
something like i've had it with this
4:33
world
4:34
is that what he says something like
4:37
something like that
4:42
you betrayed me
4:57
just had to recreate it had to walk
4:57
through the same spot
4:58
there
5:11
powell and hyde street
5:11
well at least that's the oh there's even
5:13
a vw bug over there
5:15
bug bus a trolley's passing
5:20
walked about a half a mile still about a
5:20
block to go
5:22
to the next spot up on california which
5:25
is up this hill
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that is so steep there are stairs
5:29
built into the hill that's how steep
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this road is
5:34
getting some steps up really burn some
5:36
calories around here
5:39
even the cars had to park sideways this
5:41
very impressive church was shown on a
5:43
number of occasions boy this wendy just
5:45
kind of
5:45
holding on the clipboard very difficult
5:47
very windy
5:48
very crisp and cool including the
5:52
opening credit sequence when the the
5:55
trolley street car
5:56
goes by i'll show that momentarily i'm
5:58
going to wait for a street car but both
6:00
angles they use this many many times
6:03
including this one where you can see
6:05
this building over here and then going
6:06
down
6:07
the dissension there of the hill so pay
6:10
attention to that building
6:12
which is kind of off in the distance
6:13
there zoomed in
6:21
they use this corner many occasions they
6:24
also use an angle going back
6:25
up the hill to the side of the church
6:27
notice the the way the tracks kind of
6:29
formulate over to the side
6:31
there's a car horn had to be very
6:33
patient now you'll notice it's number 57
6:36
not number 50 that is rolling by but it
6:39
is still
6:40
the same one so he would have been right
6:42
on that
6:44
that track going down
6:48
during the opening credit sequence and
6:50
as it passed by
6:52
looking the other way passing that
6:53
building over there
7:00
gonna go find a way to jump on that and
7:00
head down the hill
7:01
since i'm so close definitely want to
7:04
get a better angle look at this
7:09
wow is it open
7:15
uh sometimes oh yeah they have a gate in
7:15
front sometimes it is open
7:18
forever
7:30
going up oh hi doggy
7:30
found a spot waiting for the trolley to
7:33
go down
7:34
california maybe the same route that he
7:37
took
7:39
at the beginning of the movie has the
7:41
signage right there
7:42
the muni cable car
7:49
and where we're standing at this spot
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not a lot of wind
7:50
however if you turn this corner
7:55
a huge gust of wind got that way
7:58
i have i have to cup over the microphone
8:02
just kind of stand around the corner
8:03
here while we're waiting for the trolley
8:05
car
8:06
it's a true summer day true summer day
8:08
it's in i almost said socal
8:10
nor snorkel right northern california
8:13
norcal i gotta i'm so used to saying
8:15
socal socal's warm
8:17
norcal's not right now earlier
8:20
all right heading over
8:43
just to give an example right there is
8:44
where the camera would have been
8:45
set up looking back at that opening
8:49
credit sequence right there
9:06
oh
9:25
into the line here and i'm noticing
9:25
number 57
9:27
the screen use one is sitting here right
9:31
yeah check it out right there number
9:33
five
9:34
seven which means he was sitting
9:38
hey you see five seven this is the one
9:41
where he was standing up it went by and
9:44
then he took his seat right here
10:00
nailed it pretty nice
10:00
that there still is a number 57
10:08
yeah you know what i might do it too i
10:08
might stand right there in that center
10:09
section
10:11
he was standing here at first
10:47
noticing the clock is directly at 12.
10:47
both hands are pointed straight up so
10:49
they were waiting for that moment
10:51
to get this scene which either that or
10:54
the clock at the time
10:56
was broken took a moment to figure out
10:58
exactly where this was
11:00
but notice the fountain over there to
11:02
the far right and this little embankment
11:04
hill
11:11
that is shown here
11:11
and faintly in the haze over there you
11:13
can see the clock tower
11:15
and the pier building as he's walking
11:17
now the
11:18
the light posts have changed but over
11:21
here you see a concrete embankment
11:23
from that that fountain
11:26
which is right over there and he
11:28
continues to walk along this pathway
11:34
and there's a fire hydrant off in the
11:34
distance that you can see
11:37
that fire hydrant shown right here
11:40
with a little bit of layer from
11:51
that would be right over that way you
11:52
still see that fire hydrant located
11:53
right over there
12:02
and the very next scene after this back
12:02
at union square which is like
12:03
miles away movie magic and even though
12:06
the light poles are gone
12:08
check out this electric box right down
12:10
here with the pavement around it
12:12
i'm going to say that this is that
12:14
electric box pavement has been removed
12:16
that is the pathway that he would have
12:18
walked right past that
12:30
pretty cool you can stand up there yeah
12:30
oh that little walkway up there we
12:32
should go up there
12:49
i was waiting for you to appear on that
12:49
on that other side over there
12:50
they had it chained off yeah it's pretty
12:54
i never knew you could walk back
12:55
up on here well that's the water's going
12:57
today when we're down here the other day
12:59
it was turned off
13:00
yeah we were walking along the pier pier
13:01
39 up to pier one
13:03
and you said they used to have the water
13:05
on and now the water's back on
13:08
you put that into the universe almost
13:10
manifested
13:12
manifested h2o pretty neat
13:15
oh hi birdie got about a half mile walk
13:19
to the next spot
13:26
this structure is columbus tower with
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the cityscape
13:28
behind it this very block was used on a
13:30
couple of occasions
13:32
not only for this exterior
13:35
lit up under the shroud of nightfall
13:40
but also they utilize this intersection
13:44
showing the happy donut over there and
13:47
what is
13:48
now hotel north beach was a different
13:50
hotel
13:51
these accommodations back when the movie
13:54
filmed here
14:03
pretty iconic looking building hotel
14:03
saint paul
14:04
was what it was back then and you can
14:06
see the happy donut
14:09
still there over in the corner
14:20
i noticed they did this quite a bit
14:20
where they would stand at one
14:21
intersection
14:22
and get a couple different angles that
14:24
they used throughout the course of the
14:25
movie
14:26
another name for what is referred to as
14:28
columbus tower what i was calling
14:30
columbus tower
14:31
is the sentinel building which has been
14:34
used in a lot of other productions as
14:35
well
14:37
in fact filmmakers who used to work in
14:39
this building
14:41
quite a few notable names including
14:43
warner herzog and george lucas
14:46
how cool is that a lot of film history
14:48
here at this building
14:49
and there just so happens to be a little
14:50
restaurant right down here as well i
14:52
ordered the cobb
14:53
salad and you went with some fresh they
14:55
said they make their pasta
14:57
freshly made made to order once you
14:58
order it then they roll
15:00
do the cover cut it whatever the pasta
15:03
magic
15:04
pasta man you got some spaghetti and
15:05
meatballs and there is a
15:07
coppola tie-in that francis coppola
15:10
has crushed red pepper and this is
15:13
located as i show the
15:15
both of the entrees next to the building
15:17
next to the north beach hotel
15:20
and the happy donuts here on kearney
15:23
right underneath
15:24
the columbus building even though they
15:26
used a lot of these as green screens
15:28
they built this
15:29
little you know entrance onto the exit
15:31
of the roof while the exit onto the top
15:33
of the roof scenes
15:34
you can see these buildings kind of in
15:37
the background
15:38
trying to pinpoint where all that would
15:40
be you can also see the spires of that
15:42
church natalie was noticing there
15:44
and then i kind of shifted over this way
15:46
and i'm paying attention to the
15:48
the two buildings off in the distance it
15:51
would be kind of down this block that
15:53
went up with a bit on top of one of the
15:54
roofs
15:55
just to get that angle right there
15:59
and then can you flip the page one more
16:01
over
16:02
when he like goes up hi mark
16:06
i did not hit her i did not i did not
16:11
kind of kind of around that way it's
16:12
hard to pinpoint exactly which one it
16:14
was but
16:15
on one of those roofs up there facing
16:17
that direction
16:19
oh hi mark a look at the two little
16:23
peaks there of that cathedral
16:25
off in the distance okay this looks a
16:27
lot this looks
16:28
precisely like the same ones
16:33
that are right over here you can really
16:36
tough to see him in the haze there but
16:38
there they are those are the two
16:41
cathedral spires there he is up on the
16:44
roof
16:45
so behind him all a green screen but
16:50
they did come out here and film
16:51
know what they what they needed to show
16:53
up on that green screen
17:16
so
17:22
made it to the corner of leavenworth and
17:22
beach
17:23
this courtyard marriott can be seen out
17:26
the window of the coffee shop
17:28
which is now a pizza zone
17:32
kind of wish you could still get a
17:33
piping hot caffeinated beverage from
17:36
it's a very interesting dialogue when
17:39
he's talking about his business
17:41
no i cannot anyway how's your sex life
17:45
right inside the pizza zone natalie's
17:48
standing underneath the pants
17:50
you know that's a rather large pair of
17:52
pants and directly above you
17:54
is a photograph
17:58
of tommy wasau and the room right up
18:00
there now from what i've heard
18:02
he still owns the building tommy still
18:04
owns the building that's why
18:06
oh there's even a cardboard cutout up
18:08
there kind of facing the other way
18:10
but that's why it still has the room
18:14
rated r by the way if you've never seen
18:15
this yeah yeah definitely you're in for
18:17
a real treat but keep in mind it is
18:19
not a rated pg not rated g not even
18:20
pg-13
18:22
it is rated r why
18:25
are these pair of jeans in front of the
18:27
room poster
18:29
that's the curious question but if you
18:31
look out the window in that scene
18:33
you can see this courtyard marriott
18:35
across the way
18:37
you getting a photo of the gigantic
18:40
jeans
18:42
oh man i really love really love
18:46
horrible
18:47
movies i've done quite a few of them and
18:49
this is this is up there
18:51
with some of them you can however tell
18:53
that it's the same windows
18:56
across the front here you still see it's
18:58
the same windows so now there's a tomato
19:00
holding a
19:01
a pizza pie but you see out the window
19:03
over there that marriott as i stated
19:05
and this is the inside portion looking
19:08
across
19:10
was sitting right there tables have
19:12
changed as i stated
19:13
but there is the angle with the marriott
19:15
signage
19:24
so cool right against the window
19:24
they're gonna walk in this very door
19:26
right over here
19:38
oh this is pretty neat looks like he
19:38
returned here later after it became a
19:40
pizza place
19:41
and got a photo in here
19:48
after a little closer inspection above
19:48
the handshake
19:49
notice the green pillar here and then
19:51
the little two little plastic
19:53
pieces that connect with the window so
19:56
you see like the the green
19:57
pillar and the well i guess it would be
20:00
two pieces on either side holding the
20:02
window in this is where
20:05
this is where they were sitting and
20:06
that's where the handshake was
20:09
right there
20:21
pretty cool
20:21
oh hi donkey uh okay
20:24
this is we're gonna go ahead and hop on
20:26
this bus
20:27
go over the next spot this is about a
20:29
two mile commute
20:31
in route to what was the exterior of the
20:34
home
20:34
from what i heard oh man someone just
20:37
went across there the
20:38
person on the bicycle they almost they
20:40
could have not ended well
20:48
as he turns the corner going home you
20:50
can see
20:51
this building off to the side there and
20:54
another
20:54
portion this building over here has been
20:57
repainted
20:58
and for what i've always heard they did
20:59
not have permission to utilize this
21:03
so they just pulled up
21:08
right here in front of the door this
21:12
would be the driveway
21:14
and for a couple scenes you can actually
21:16
see some papers
21:17
well he picks up the paper one but
21:18
there's another one when they pull up
21:20
here both of them get out of the car
21:23
there are a couple of packages right
21:24
there of course they don't touch the
21:25
packages because
21:26
they did not belong to them oh you see
21:28
the packages
21:30
let's see the packages right over there
21:32
to the side
21:34
and then there's another screen capture
21:36
where he's got the the paper i believe i
21:38
have that too
21:39
if you flip through those there should
21:40
be one with him picking up the paper at
21:42
the door
21:43
and this is actually a garage next to it
21:46
okay so there's the
21:47
the credit sequence at the beginning
21:50
and then there should be one more with
21:52
uh picking up the paper
21:54
yeah there it is right there
21:58
how random just just pick a pick up
22:02
a facade and it somehow becomes the
22:05
front of the
22:13
of the room very windy here we go
22:13
right there that's inside there was the
22:17
room
22:17
the room the rear the room the or the
22:22
you have to wonder if the people that
22:24
live here are happy about the fact that
22:26
people stop by
22:27
get photos and this film is remembered
22:30
because they did not grant permission at
22:32
all or if they just
22:33
embrace it and they realize people are
22:36
going to come by here
22:37
yeah probably on a semi-regular basis
22:39
take photographs and hold up
22:41
screen captures and technically it is
22:43
two different addresses
22:46
not just one the gauge is still there
22:49
oh check it out so the neighbors
22:53
right over here there we go so there's
22:56
the gate over to the side so yeah it's
22:58
still there
23:03
it's just so random just chose this for
23:03
no reason or for
23:05
a reason but with him you just never
23:07
know what his reasoning on anything is
23:09
you never know you don't even know much
23:10
about him where he's from he's a mystery
23:12
he's a mystery how old he is
23:15
and just about a block and a half from
23:17
the palace of fine arts
23:19
this structure is massive might not even
23:22
show up on cameras
23:24
the size of this place this is huge i'm
23:26
just so excited this is my favorite spot
23:27
in the city
23:28
it's ruins from the world's fair i'm
23:29
just so excited yeah it's pretty pretty
23:31
awesome
23:32
where he was like walking along i
23:33
believe was this this little sidewalk
23:36
down here because you can see the
23:37
fountain
23:38
in the distance so it starts here it's
23:40
kind of down from this angle
23:42
and he just just a quick shot of him
23:44
strolling across
23:46
here cam returns from here notice the
23:48
fountain over his his shoulder there
23:54
which would be right there and then the
23:54
next photo would be
23:56
the centerpiece there which is the the
24:00
same angle
24:00
the camera just pans and shows that
24:04
so goes from there with him walking it
24:06
should reiterate once again really hard
24:08
to
24:09
put into perspective how this probably
24:11
does not
24:12
look as impressive on camera as it does
24:15
in real life these pillars here gosh by
24:18
100
24:18
100 something feet tall yeah
24:42
now from here gotta go three quarters of
24:42
a mile
24:42
give or take up that incline to the lion
24:46
street
24:46
steps just to show how steep this is
24:50
all the cars got to go up a couple more
24:52
blocks and then take a right
24:54
all the cars parked sideways a little
24:56
more elevation here
24:58
in northern california than in in
25:01
florida
25:02
a little bit more elevation here and not
25:06
done yet
25:07
now approaching the lion street steps
25:11
going straight up to document the
25:16
couple of photos just looking for this
25:18
screen capture at the top of them
25:20
camera was a flight above where i'm at
25:22
started the scene with down here
25:24
more or less where i'm sitting right now
25:28
and both of them started to run
25:31
not from down there obviously they
25:33
started from down there
25:34
but the start of the scene began here
25:37
and they
25:37
ran up to the top right up there and if
25:42
all works out well
25:42
this little manhole should be up there
25:45
to prove it
25:46
and at the top corner of broadway and
25:49
lion
25:49
and there is there is that
25:52
drainage topper there
25:56
looking down
26:03
right there with off in the distance
26:03
is the palace of fine arts
26:09
that's something else climbing up this
26:09
made it now over to jfk drive
26:11
in the golden gate park and the angle
26:15
here is where johnny pulls up
26:19
mark is sitting next to a tree the tree
26:21
is now gone these stanchions
26:23
are still here but leaning with his back
26:27
up against the tree with a football
26:30
right there in fact that car is in the
26:32
same spot as
26:34
someone else's car is here and it was
26:37
all one take
26:38
johnny gets out of his vehicle meets up
26:41
with mark there
26:43
runs past these little pylon stanchions
26:47
past those very trees over there kind of
26:52
wish that to treat that tree that he was
26:54
sitting against would
26:55
have still been there however tree has
26:58
been removed
26:59
and they had a riveting tossing of the
27:02
football
27:03
experience going past
27:07
these very trees the angle was right
27:10
about there
27:11
throwing the football back and forth
27:12
from a a grand distance of about two
27:15
feet
27:16
give or take about two feet between us
27:18
kind of about about the same distance as
27:20
we are
27:21
just kind of throwing the ball back and
27:22
forth as shown here
27:24
you can see there's a limb up here that
27:26
has been removed
27:27
and then the limit the limb that is up
27:30
top
27:31
right there on that far tree and they go
27:33
down into this little
27:35
kind of lower section a little grassy
27:38
and still continue to toss the football
27:40
around running down this little pathway
27:45
from you know you basically reach out
27:47
and touch each other by throwing the
27:48
football back and forth to each other
27:50
this is definitely the field oh hi doggy
27:54
there's a lot of doggies kind of says it
27:58
doggy doggy hi dog oh hi donkey oh hi
28:02
doggie right over here they were
28:05
jogging down see right there see the
28:09
distance
28:10
yeah see they can almost lean over and
28:13
touch each other hand each other
28:14
the football but they don't they
28:16
continue to
28:18
toss it around as they careen down that
28:22
little embankment there
28:24
and that clearing is still up there
28:28
in the woods here they're even closer
28:31
than they were before
28:37
i love it okay they've spaced out a
28:37
little more now
28:38
they've spaced out probably a good 15-20
28:41
feet now which is good
28:43
you're kind of standing where johnny
28:47
right about in that same section and who
28:49
could forget when johnny tackled mark
28:51
right here in this section always
28:53
noticing there's a gentleman up here i'm
28:55
not really sure what he's doing he's
28:56
kind of just staring at the hedges
28:59
right over there and that kind of in
29:01
that section
29:02
a little far probably i don't know a few
29:04
feet closer this way
29:06
now about a four or five mile commute
29:08
took an uber
29:09
the last two spots we are at the final
29:12
destination
29:13
which is where the anniversary flower it
29:16
was an anniversary flower in gifts
29:19
used to be as shown here
29:23
it is now a restaurant of some sort this
29:26
is where
29:26
he parked right over there walked in got
29:30
some flowers
29:30
dozen red roses a dozen red roses and
29:32
then also
29:34
said oh hi doggy hi doggy
29:44
the owner didn't even realize how do you
29:44
not know
29:46
i mean sunglasses on and off basically
29:48
that's true you wouldn't even know it
29:49
was me walking in
29:50
but if i had the sunglasses off you
29:52
would know it was me it's a pretty good
29:54
area now the building still looks the
29:56
same
29:58
interesting parking job he kind of
29:59
blocked the alley
30:04
okay do the lines again what what did
30:04
the owner sign
30:06
oh hi tom you i also recognize you oh hi
30:08
doggy you're my favorite customer
30:10
bye and looking out the flower shop
30:13
window
30:14
now a restaurant so looking over there
30:18
out the window you can see as he is
30:20
about to head in notice
30:22
the parking garage and the little
30:25
stairwell over here this is the
30:28
stairwell
30:29
there's the parking area there's the
30:32
little
30:33
fence that's next to it he was in a
30:36
hurry but he got the dozen red roses
30:39
from inside there now it's a restaurant
30:42
hasn't been a flower shop for a while
30:45
interesting thing about this
30:47
is from what i heard it was the last
30:49
thing they filmed
30:50
even though it wasn't the last scene in
30:52
the movie it was the last thing they
30:53
filmed
30:54
have to wonder how many pass by this or
30:57
even maybe even the
30:58
owners that are in here might not even
30:59
realize the history that it has
31:03
we were also trying to find a mural
31:04
somewhere in town
31:06
that had maybe uh uh some a room
31:08
painting somewhere
31:10
couldn't really find anything no we just
31:12
find the big pants
31:13
the big pants tommy's pants over on the
31:17
over near the
31:18
water as well
31:21
yeah the flower shop anniversary flour
31:24
and gifts
31:25
oh they have hot tea after peeking in
31:27
the inside it looks totally different
31:29
than it did
31:30
counter is gone i mean there is a
31:32
counter still in there
31:33
however it's not not the same same kind
31:37
of setup
31:38
nonetheless this is like one of the
31:40
probably one of the most famous and
31:42
notable scenes that everyone
31:43
knows from the film from the room oh hi
31:47
mark
31:48
oh oh that is true i did not hit her
31:51
i did not oh hi mark i'm also noticing
31:55
the stairwell over here now has a fence
31:57
around it
31:58
right there next to the front entrance
32:00
of it
32:06
whoever lives up there lives above a
32:06
piece of cinematic history
32:12
it's no citizen kane but they're pretty
32:12
close oh
32:14
definitely in the same category
32:17
we did it you did it that's going to do
32:18
it for today it was
32:20
quite in a video it took a lot longer
32:22
than i took a lot longer than a few
32:24
hours i think it took us
32:25
just about nine hours a long time not so
32:28
much fun
32:29
covered a lot of ground it was a good
32:32
time
32:33
the room has been accomplished didn't
32:34
hit every single spot but hit
32:36
a majority of all the san francisco
32:39
spots
32:39
if you were walking it or taking public
32:41
transportation it takes a while
32:44
but me having the rental car which i
32:46
kept parking a parking structure
32:48
downtown near the hotel there's some of
32:50
the spots there wouldn't have been any
32:51
parking
32:51
yeah so so really the walking trans
32:54
public transportation city it definitely
32:56
is a walking city
32:58
the city the city then we took uber a
33:01
couple times
33:02
took the buses a couple times and walked
33:04
i should see how many how many steps it
33:06
was but for now
33:07
you're gonna check you're gonna check
33:09
okay i'll just sit here talk amongst
33:11
yourselves
33:12
while she checks how many how many steps
33:15
did we do today
33:17
we did one thing i'd say twenty thousand
33:19
nine hundred
33:20
today we did twenty thousand today
33:24
all right that's gonna do it the vlog
33:31
you know what my legs are saying to me
33:31
right now what
33:33
my legs are saying you're tearing me
33:37
apart san francisco