Inside The Poltergeist House - Staying At Haunted 1982 Horror Film Location / Full Tour & Night Swim
Overnight At The Poltergeist House
Transcript
0:02
Today's adventure begins as the
0:02
recording of this Saturday, September
0:04
6th,
0:06
2025. I'm checking out of my hotel here
0:09
in Universal City and going to be
0:11
heading deeper into the valley because
0:13
tonight I have rented
0:18
the poltergeist house.
0:26
They're here.
0:26
Welcome everyone. Adam the Woo here.
0:29
This has been something I've wanted to
0:30
do for a long time. Probably 12 years
0:32
ago, the first time I went by the house,
0:35
no one could get access to it, but that
0:37
has changed very recently in the last
0:39
few weeks. And I'm going inside 400 p.m.
0:43
later tonight. Still got about 5 hours
0:44
before I can check in, but I'm going to
0:46
go rent a car cuz I'm going to be in the
0:48
greater LA area for a little while. So,
0:50
I'm going to get a car and then head up
0:52
to Semi Valley. Or is it Semi Valley?
0:55
It's in the valley. Join me.
0:58
Spooky time at the poltergeist house
1:01
wearing an appropriate t-shirt. Join me.
1:03
I'm excited about this. Shall you picked
1:06
up a rental car, made the commute north
1:09
of where I was, and I am now in the
1:12
community of Questa Verde,
1:15
and the house is right up here, the
1:17
Freeling Residence.
1:20
It's just now hitting me that I'm going
1:21
to be staying overnight
1:24
in this iconic
1:26
horror film house.
1:34
There it is.
1:34
Right there. Oh my gosh. This is
1:38
actually happening.
1:45
Couple minutes till check in. Checkin's
1:45
at 4. Got some birds chirping. This is
1:48
the neighborhood before the sun goes
1:50
down.
1:58
Massive driveway where pulls the car up
1:58
and towards the be a lot of spoilers in
2:00
this video obviously, but
2:03
the corpse comes launched through the
2:05
garage door there. And this is eerie. I
2:07
pull up and did not plan this, but there
2:10
is a tennis ball down here.
2:19
And if you've seen the film, you know
2:19
the significance of that. More on that
2:21
later. It's just sitting in the yard.
2:33
Now, they have moved back these two
2:33
pylons here, these two brick pylons.
2:38
In the 1982 film, they were closer to
2:41
the sidewalk, but they moved them back a
2:43
little bit. Another classic film from 82
2:45
ET.
2:47
Steven Spielberg directed it. Now,
2:48
Spielberg had a lot to do with this
2:50
movie, but Toby Hooper was credited as
2:54
the director,
2:56
and there's some conspiracy with that on
2:59
who really fully directed the film. But
3:11
so quiet and eerie.
3:11
Oh my gosh, the kitchen.
3:20
What?
3:20
Same type of table.
3:23
They even have the markers on the
3:24
ground.
3:38
And there is in fact a pool here.
3:38
They were digging the pool in the movie.
3:40
The tree
3:42
that bust through the window right up
3:44
there where both the kids rooms was was
3:47
right here.
3:49
Terrifying tree.
3:56
There's a little side room you don't see
3:56
in the film.
4:06
The staircase is different as well.
4:06
Got the classic Atari here with some
4:08
games.
4:11
TV
4:14
photographs here.
4:16
Also got DVD and VHS. We'll watch that a
4:20
little bit later.
4:22
Got the book. Also got a guest book here
4:25
as well.
4:28
Yeah, this is really cool. So, there's
4:31
two dining areas. There's the main
4:32
dining area where they had a really
4:35
pivotal scene here where they're all
4:37
sitting around it.
4:40
And then there's another one. Well,
4:43
quite a few things happen in here. The
4:44
breakfast, the stacking of the chairs,
4:47
all that happened right in here.
4:50
There's actually quite a few houses in
4:52
this neighborhood that are similar to
4:53
this design, design a semi valley.
5:00
And as the night goes on, I'm going to
5:01
try to figure out a few key angles and
5:04
whatnot, but there was a different
5:05
staircase here. Also, the roof up here
5:08
does appear to be
5:10
about the same height as the one that
5:12
you're seeing in the film. However, the
5:15
type of slats that were across here have
5:18
been removed. And they've also built
5:20
this other partition of the ceiling.
5:24
If you look up, you can see where the
5:25
upstairs was. I'm just going to assume
5:27
the upstairs bedrooms were all on a set,
5:30
but the downstairs,
5:32
good portion of it was down here. And up
5:34
the stairs, this is what it looks like.
5:36
I'll pop over into that terrifying
5:38
bedroom shortly. But there is a restroom
5:41
there, another bedroom here.
5:46
Very large
5:48
bedroom here, and another bedroom here.
5:53
Very accommodating.
5:59
Nice view of the pool there and the
5:59
hills in the background. Just giving
6:02
kind of a nice quiet
6:04
house tour beforehand. There's going to
6:06
be a lot more activity later. Going to
6:08
have some friends coming over as well.
6:11
Check the place out and stay.
6:19
Creepy sounds.
6:19
So quiet.
6:25
See in the movie so many times. I always
6:25
wondered what was inside this window up
6:27
here looking out onto the street. the
6:30
very top portion.
6:33
All right. Clearly portions of the
6:35
upstairs was on a set. Can't speak for
6:38
the all of the bottom, but definitely up
6:40
here with the exception Oh, man. Look at
6:43
this. Oh, they got both the beds in. Oh,
6:45
and they got the clown over there.
6:49
Now, there are some scenes where they're
6:51
looking out the window, specifically
6:53
when before the tree rips him out of the
6:56
window there, where he's in this room
6:58
looking outwardly upon the backyard and
7:02
the pre-built pool. So, they might have
7:04
done a couple shots in here,
7:08
but I think the rest, all the other
7:09
craziness was probably they rebuilt the
7:11
kids' room on a set. Nice touch with the
7:14
clown there.
7:16
character case down below. The Darth
7:18
Vader
7:20
got the Star Wars.
7:28
Oh my gosh, there's a phone.
7:28
At night, this is going to be this is
7:30
going to be quite the vibe at night
7:31
looking out here, just thinking of that
7:33
tree busting through this window. And I
7:35
just went to HHN. I went through the
7:37
house where they recreated a lot of
7:39
scenes from that. You actually went
7:40
through HHN. They rebuilt this house for
7:42
HHN. And yes, I will be taking a dip in
7:45
the pool later.
7:48
Definitely will. I like the fact that
7:50
there's a washer and dryer in here.
7:52
I could do I could do some laundry while
7:54
I'm here.
8:00
And when I check out in the morning, I
8:00
will sign the the guest book. Only four
8:02
people have stayed here. According to
8:04
this, each person will take a page, fill
8:06
it out. My friend Sean Clark stayed
8:08
here. did a great video of this place as
8:11
well, but I wanted to see it with my own
8:13
eyes, so I'm here as well. So, according
8:16
to the book, I'm only the fifth person
8:18
to stay at the newly opened and rentable
8:22
poltergeist house. One image from that
8:23
film that looks pretty rentree in my
8:25
head when I think of that movie was
8:27
Craig T. Nelson walking back up. That
8:28
last half hour of the film is absolutely
8:30
insane. I mean, the whole movie is
8:32
crazy, but that last 25 to 30 minutes,
8:35
just off the rails, that whole ending
8:37
scene out in the front yard over here,
8:41
you know, talking about moving the
8:43
headstones, but not moving the bodies. I
8:45
mean, just But before when Craig T.
8:47
Nelson gets out of the car and comes up
8:49
here, you see him like walking up these
8:51
and just the look of fear on his face.
8:56
I don't know. Just a true classic horror
8:59
film.
9:01
Watching the movie in here is going to
9:02
be
9:04
be an experience
9:07
to say the least
9:21
quest verde. Just to note, the parents
9:21
bedroom here is pretty much the same
9:23
specification size-wise as the set
9:26
recreation that they built that was on a
9:28
complete circle when she's like going up
9:31
the bed, going up the side of the wall
9:34
onto the roof and using a couple other
9:37
scenes when there's like the earthquake.
9:38
They think they're having the
9:39
earthquake. That was not in here, but
9:41
this looks so much like it. They really
9:44
did a good job recreating the
9:46
specifications on the set and the TV
9:50
would have been right here where Carolyn
9:52
says that says that classic line right
9:55
there. However, a lot of action did
9:56
happen down here. Living room, dining
9:58
room, kitchen, outside, sideyard, front
10:01
yard,
10:02
etc. Over the course of the evening,
10:04
especially when nightfall rears its
10:06
head, other people will be showing up,
10:08
friends of mine, and they could probably
10:10
help me match some things up as well.
10:12
So, I'll show some screenshots, things
10:14
like that, and also just want to kind of
10:17
just kind of feel the vibe of the place
10:19
as the night goes on. It's an overnight
10:21
stay at one of the most iconic
10:25
horror film houses in existence.
10:30
I just spent a little time with the
10:31
owner. She came by to make sure my
10:32
check-in was going pretty well and also
10:35
explained a few things to me. Also
10:36
showed some photos that she recently
10:39
received on what the house used to look
10:41
like. She was also saying that this pool
10:45
was put in by the studio. It was part of
10:47
the house rental agreement. So when they
10:49
were digging the pool out in that scene
10:51
with the skeletons and all that after
10:53
that, after the filming was done is when
10:55
they built the pool. And it still kind
10:57
of is the same layout where the shallow
10:59
winds over there. It goes to the deep
11:00
end. Now, in the mid 90s, the Northridge
11:04
earthquake did a lot of damage to the
11:07
foundation of the house and a lot of the
11:09
inside
11:11
was redone and the outside out front was
11:14
redone. So, there has been some drastic
11:16
changes, but I want to match up some
11:18
stuff around the back here. She also
11:20
said when they repaved this and put this
11:22
new concrete down many years ago that
11:24
they filled in the 6 foot deep hole for
11:27
the animatronic tree that was right here
11:30
underneath Carolyn and Robbiey's window
11:34
right there.
11:36
And when the actor that played Robbie
11:38
had to go up in the tree and he's he's
11:39
been to the house. She was saying that
11:41
the actor that played Robbie has been
11:42
here and when he had to get up in the
11:45
tree, they had a ladder and he went up
11:47
in the tree in that area. But not only
11:50
is there concrete on the ground level,
11:51
but there is a huge hole right here
11:54
filled in 6 ft of concrete directly
11:56
below this spot where that tree was.
11:58
Also, the flower bed where they buried
12:01
the bird in the cigar box has been paved
12:04
over as well. That was between the
12:05
house. This is when Robbie's walking
12:07
over to the tree. You can see out here
12:10
still looks the same up here. Used to be
12:13
a balcony to the main bedroom. As he
12:16
goes along, this has changed a little
12:19
bit as well. In fact, the door to lead
12:21
into the side kitchen next to the window
12:25
or the side dining area next to the
12:27
window where they're having the
12:28
breakfast scene. The door used to be
12:30
right here. I'll kind of pull back and
12:33
show Robbie walking past this area, sees
12:37
a door and then climbs up the tree, get
12:40
a view of the neighborhood quest.
12:43
But you can see not only where that door
12:44
used to be, now it's a glass window on
12:46
the outside, but also where the concrete
12:50
is now. Used to be red bricks down
12:52
below, but after the earthquake, they
12:55
changed all that. And those red bricks
12:58
evidently were used by the previous
12:59
owner. There's the spot where the tree
13:02
was right there on different areas
13:04
around where the wooden fence used to
13:06
be. They've used some of the red bricks
13:08
that were down here that were destroyed
13:10
up on the top of the concrete wall,
13:13
which would be some of these. If I was
13:16
if I was understanding what she was
13:17
saying correctly, the previous owner
13:19
used that.
13:32
Just looking out the kitchen window
13:32
here.
13:34
Also some little little knickknacks and
13:37
things that are up on the shelf.
13:40
Looking out the window as they're
13:41
building the pool or starting the
13:43
construction construction on the pool.
13:46
Pool is out there now. But you got some
13:48
similar
13:50
type of decorations down here. decor
13:54
looking out the the pool building scene.
13:58
And this shows what the kitchen would
13:59
have looked like back when they were
14:00
having the breakfast scene with that
14:01
door over in the corner there and the
14:05
window here where the sliding glass door
14:06
is. Now, I am thinking they had two
14:08
different countertops.
14:10
They had the daytime countertops when
14:12
everyone was in here and he was on the
14:15
phone talking about the earthquake over
14:17
here. And I think they redid a
14:19
countertop when they did the the
14:22
slithering steak scene. And then the
14:25
steak bubbles up the little bubble guts
14:28
popping out of the steak right there
14:30
because the countertop does not match up
14:33
during that particular moment, but it
14:34
matches up when during the breakfast
14:37
scene. All right. I'm noticing even the
14:39
daytime scenes when they're obviously
14:40
filming out the window and they were in
14:42
this particular kitchen, not a set, the
14:44
counter was a little bit different. And
14:46
I'll show that in a moment. But you can
14:48
see the other dining room off there in
14:50
the distance. Kind of gives a good And
14:52
they've recreated the TV here as well.
14:56
The Caroline was sitting on the counter
14:59
watching the static.
15:05
But if you watch the movie closely, this
15:05
line right here, there was a double
15:07
line. There was one here and then like
15:08
another half an inch there was another
15:10
line. So they have redone the
15:12
countertop. At least at least that
15:14
little segment.
15:28
It's kind of up this back little incline
15:28
where you can see full view of the
15:31
backyard when they start building the
15:32
pool.
15:41
Kind of from this angle.
15:41
Look in this direction. Get a good view
15:44
of the back of the house
15:47
before the insanity began or began.
15:53
A big piece of heavy machinery right
15:55
there digging the pool hole. This is
15:57
kind of neat, too. You can see that that
15:59
hillside in the background there
16:02
when Dominic Dunn's character
16:05
is walking around through the backyard
16:07
and the construction guys
16:14
are, you know, saying their piece to
16:14
her. You can see that hill in the
16:15
background. She walked right along here,
16:24
right past the tree,
16:24
right along this way.
16:27
The fireplace that she stood in front of
16:29
and gave them the finger
16:31
was right here. It's been redone, also
16:33
damaged in the earthquake of the mid
16:35
'9s. They were standing right over
16:38
there.
16:40
And she is one of a few that is part of
16:42
what some consider to be the poltergeist
16:44
curse.
16:45
She passed away very young as well as
16:48
Heather Oor.
16:50
the sink except this these have been
16:53
changed,
16:55
you know, the the faucet and everything,
16:56
but it's the same porcelain. So, if you
16:59
rewatch the movie during the scene where
17:00
she's right here on the counter sitting
17:02
on the counter watching the the static,
17:06
the mom changes the channel to a a TV
17:09
show and you'll hear a really good
17:10
Wilhelm scream. If you know, you know.
17:13
Right here in this spot was a really
17:15
good Wilhelm scream coming from the TV.
17:18
And who could forget the chair stacking
17:20
scene
17:28
also in here. Just amazing. No edits,
17:28
all one take.
17:31
Mom goes over to the chairs, walks over,
17:35
gets something out of the cabinets over
17:39
Crew runs in, stacks the chairs, camera
17:42
pans back, and you're startled. Now it
17:45
would just be done with editing, but not
17:48
back then. And it's much more effective
17:49
and much more terrifying. Did you do
17:51
this?
17:59
Uh uh-huh.
17:59
What do you think, Kevin?
18:01
>> This is bizarre. This is so cool.
18:04
>> Both the Kevin's. What do you think,
18:06
Kevin?
18:06
>> Oh, [laughter] that is awesome.
18:08
>> What do you think, Alison?
18:10
>> This is so cool.
18:11
>> You have the most appropriate t-shirt
18:12
on. You're wearing also also a polterge
18:14
guy shirt.
18:14
>> Well, you too. You got your poltergeist
18:16
shirt on, too.
18:18
>> I'm just glad I didn't walk through the
18:19
house the other night. I probably
18:21
couldn't have walked in here.
18:22
>> Yeah, that was pretty freaky.
18:24
>> Just watch out for maggots. Well, I
18:25
think on the [laughter] floor down
18:26
there, that's where the chicken was.
18:29
>> Wow.
18:30
>> They were also noticing that the lights
18:32
up above are still lights. It's weird.
18:35
When I watched the movie, I thought this
18:36
was like a sunroof, but now that I'm in
18:38
here, it's just actual lights.
18:41
But there is a room right here. So
18:43
>> because Yeah. In the movie it does the
18:45
vaulted ceiling doesn't go up like in an
18:47
A-frame. It just goes up.
18:48
>> Correct. Yeah.
18:58
>> Oh, they got a tennis ball here.
18:58
>> They got a tennis ball.
19:00
>> I brought I brought some tennis balls
19:01
also.
19:02
>> They're what?
19:03
>> I brought some tennis balls also.
19:05
>> And a red Sharpie so we could write
19:06
number two on it.
19:07
>> Yeah.
19:08
>> This is where the bird right in the
19:10
garden in the cigar box. I was showing
19:12
that a moment ago, but look over here.
19:13
You see the you see the
19:17
>> the fireplace there
19:20
would have been basically
19:22
>> right about here
19:24
>> and you see the fireplace over there
19:26
>> where they've redone the fireplace.
19:33
Just a different angle of what I already
19:33
showed.
19:34
>> Slowly sun's starting to go down. It's
19:36
dusk now. This is the This is the angle
19:38
when Craig T. Nelson has the remote out
19:40
the side of the window and they're
19:42
trying to watch the football game and
19:43
the neighbor is wanting to watch Mr.
19:46
Rogers. In fact, those windows over
19:48
there match up. So, that was definitely
19:50
here in the sideyard
19:53
right out this window.
19:55
Always wanted to drink a piping hot
19:57
caffeinated beverage from this this
19:59
window right here. Got the coffee cup
20:10
Goal accomplished.
20:10
>> Yeah. Like as I was 12 at the time when
20:12
I came out like that.
20:15
>> There is mosquito.
20:16
>> I saw
20:17
>> there really are mosquitoes here.
20:20
>> And I'm chewing on some carrots. I don't
20:22
know why, but there carrots.
20:23
>> That's not moving authentic.
20:25
>> I'll get some chicken later and a steak.
20:29
>> Oh my god. Oh my god.
20:33
That's amazing.
20:37
>> Whoa,
20:37
>> that's cool.
20:46
That's trippy, right?
20:46
>> They're here.
20:48
>> Is this the same model TV?
20:50
>> I like I don't know.
20:51
>> Did you track it down?
20:52
>> CAROLYN. CAROLYN. CAROLYN.
20:56
She's in there.
20:58
>> Mommy. Mommy. I can't see you. Don't go
21:02
towards the light.
21:27
>> Did the arms move up?
21:27
OH MY GOD, YOU SCARED THE crap out of
21:30
me. I almost thought that was coming
21:33
from the freaking TV.
21:40
>> Strobe light warning, by the way.
22:11
kind of hungry
22:11
fridge.
22:13
>> Welcome back.
22:15
>> Welcome back home.
22:18
>> I'm here again.
22:19
>> No, Sean, this is your bed right here,
22:21
Sean.
22:22
>> Yeah, she still got the cheesy clown.
22:24
>> Well, you can sleep on the boat with
22:26
that bed. You're not strawberry. I'm
22:28
good. Oh, yeah. Look at THIS
22:30
BED. [laughter]
22:35
IT'S TERRIFYING TO
22:36
>> THAT ALL NIGHT TERRIFYING. He's not
22:37
attacking anybody. [laughter]
22:40
>> I don't know though.
22:42
>> So I recreate how I got pulled into the
22:43
bed.
22:44
>> Yeah. Yeah.
22:45
>> That was a great So how did you do it?
22:47
You had you had someone behind here shut
22:49
the door.
22:50
>> Yeah. So which part are you asking?
22:53
>> When you slid under the bed, how the
22:54
heck did you get underneath it?
22:56
>> No, I I didn't reverse it. I just No, I
22:59
went under. I grabbed it from from in
23:01
here like this behind the scenes
23:03
>> and I just WENT [laughter]
23:10
>> and then you had someone slam the door
23:10
from here.
23:10
>> That is so awesome.
23:12
>> And so yeah, I had I'm here with the
23:15
clown, right?
23:17
>> And then
23:19
uh Brian was out there with the camera
23:21
and my buddy Darren was here and he just
23:23
he slammed it.
23:24
>> It was good.
23:25
>> Yeah. I was wondering how you got
23:27
dragged underneath there. You just pull
23:29
you pull yourself.
23:30
>> I would have thought if anyone could
23:32
have summoned a real poltergeist, it
23:33
would have been you.
23:34
>> Well, [laughter] the thing I was the
23:35
most proud of though was the one shot
23:38
though where I where the clown
23:39
disappears. It was all in one shot.
23:41
>> Oh, yeah. Yeah.
23:42
>> Cuz that was basically Darren out of the
23:44
chair.
23:44
>> He He grabs it and he's hiding over
23:46
here. [laughter]
23:47
>> This is so cool, dude.
23:49
>> So, Sean, did they film anything in this
23:51
room? Yeah, there's shots looking out
23:53
this window
23:54
>> when they built the when they built the
23:55
tree there, right?
23:56
>> Yeah, the the tree she told me. Did she
23:58
I actually forgot to talk about it, man.
24:00
>> 6 ft deep.
24:00
>> Yeah,
24:01
>> they built they put the concrete in
24:03
>> Wait a minute. So, were were any of
24:04
these houses here when they filmed the
24:06
>> This one was here. The ones behind were
24:07
not.
24:08
>> Okay. There was no street back there,
24:11
but this house was here.
24:12
>> But they did shoot out these windows and
24:14
like actually use that.
24:15
>> When do they put this gate up?
24:17
>> Gate? Oh, what? Around [laughter] the
24:19
>> She said we we can go in there though.
24:20
She said we go in there.
24:21
>> That's the scarf.
24:22
>> It's It's a replica. It looks like it.
24:25
>> You want to
24:26
>> She went through me.
24:27
>> She went through me. [laughter]
24:34
>> She's got some good stuff. Good props in
24:34
>> Parental bedroom with a little more
24:35
light on the subject. Dude, look at this
24:37
fantasy '8s bathroom.
24:39
>> I'm going to take a a bath in that tub
24:41
later.
24:41
>> You're going to take a bath. Can I join
24:43
you? Shall I? Absolutely.
24:44
>> Because that looks like a comfy tub.
24:45
>> Hop in. That's where the real horror
24:47
begins.
24:48
>> Look at that. [laughter] Look at the
24:49
window.
24:49
>> The bathroom door would or excuse me,
24:53
the Yeah, the hallway door was more over
24:56
here, but there was no door into the
25:00
bathroom from the main bedroom. It was
25:02
This would be the bathroom door here
25:04
that went into the bathroom.
25:07
And then Dana's room would have been
25:10
where the bathroom is here,
25:13
>> right?
25:14
>> But obviously
25:15
>> was a set.
25:16
>> Yeah, it was a set. So,
25:17
>> and what what's your thoughts on the
25:18
staircase? I mean, obviously that was
25:20
downstairs. Most of it was a set, right?
25:22
>> Yeah. But, you know, they just when they
25:26
recreated the set on the on the sound
25:28
stage, they decided to go with a, you
25:30
know, a cooler looking staircase thing.
25:32
That thing's so rickety looking. It
25:34
didn't look like a real one.
25:35
>> Yeah. When Craig T. Nelson runs down it,
25:37
if you think it's going to fall shake.
25:39
Yeah. Craig T. Nelson.
25:41
>> Coach. Good old coach.
25:44
>> She got the same remote, the same TV.
25:46
>> That's why. Yeah, if you watch it when
25:47
he's doing the thing.
25:49
>> Same remote, same model TV.
25:53
>> We're so close to Spawn Ranch that if we
25:55
want like a little midnight field trip,
25:56
we just go cruise over there, you know,
25:58
summon some spirits, get a real polter,
26:01
guys to follow you home and ruin your
26:02
life and ruin your house.
26:03
>> That's all you, man. I'm not going out
26:04
in the those woods.
26:05
>> Okay.
26:05
>> Said you're playing Caroland
26:08
>> helmet on right over the circle.
26:10
>> All right. [laughter]
26:18
>> Now what? Now what? Kevin for science.
26:18
We're going to do stop motion and we're
26:20
going to drag her.
26:22
>> All right. Mine's not going to be as
26:23
good. Mine is just a string
26:25
>> on a chair that's probably going to
26:27
break. That's going to be That might
26:28
work. That might work.
26:29
>> All right. Hold on. Here we go.
26:30
>> Adam's going to get a little action
26:32
right now. Here we go.
26:34
>> Kevin, hold this. Record for me.
26:36
>> Are we in the way right here? Are we in
26:37
the way of the shot?
26:38
>> We need I want it down. Are you ready?
26:40
Ready. Set. Go.
26:42
>> Here we go. All
26:52
right. Ready, set.
26:52
>> Getting reverse angle now.
26:55
>> This is so scary.
26:56
>> No, what what you need to do is you need
26:58
to pull it.
26:59
>> All right, Alison. You got to get it out
27:00
of the
27:01
>> So, now you're going to take my advice
27:02
and do the reverse thing.
27:03
>> Well, I'm going to do it. I'm not going
27:04
to reverse it. I'm just going to do it
27:05
this way.
27:06
>> All right. Ready?
27:07
>> Prop myself out.
27:08
>> Okay. your CGI.
27:12
>> Pay no attention. [laughter]
27:14
>> Pay no attention to this thing not
27:17
Oh, it broke. Shoot. Hold on.
27:24
>> Hold on. Ready.
27:24
It's
27:25
>> happening. Take one.
27:26
>> Take one.
27:27
>> Kevin doesn't want me to film take one.
27:29
We're supposed to practice it, but I'm
27:30
filming it anyway.
27:31
>> Okay. Ready, Alison? You're the mom.
27:34
Here we go. Stacker. Action.
27:48
did you do this?
27:48
All right. How many times have I told
27:49
you kids push these chairs in cuz Eva is
27:52
going to get your food.
27:56
All right,
28:04
Caroline, have I told you this? This TV
28:04
is going to rot your brain.
28:15
I like watching this TV. Mom, you can't
28:15
tell me what to do.
28:18
What's all that noise over there?
28:31
>> Oh,
28:31
Holy smokes. [laughter] AMAZING.
28:38
>> The whole time like their stack
28:42
movies. Great meat, Kevin.
28:45
>> Look at that thing.
28:46
>> That is good.
28:46
>> That thing's got to slide across this
28:48
counter. [laughter]
28:55
>> We're going to slide this meat.
28:55
>> Should probably do this before maybe we
28:56
eat. [laughter]
29:02
>> I got the chicken chicken leg.
29:02
Kevin,
29:03
>> shout out to both the Kevin Deloria
29:05
Kevin and Kevin Hbach for figuring this
29:07
out. Special effects balling on a
29:09
budget. We got a s'mores stick and we
29:11
wrap rope around it. So that's how we're
29:13
going to drag it.
29:14
>> All right. Trying to cover
30:00
CHICKEN.
30:29
>> out
30:29
>> on the meat.
30:29
>> Uh, little quicker with the meat.
30:31
>> Quicker. Speed it up. Was going too
30:33
fast. Pull your meat faster.
30:34
>> All right. Ready, set, go.
31:43
>> That's the thing.
31:45
>> The next next bit.
31:47
>> Say dad. Ask dad. [laughter] Ask dad.
31:52
Ask dad.
32:02
Not. It's not going to stick out. All
32:02
right. Hold on.
32:03
>> I need to see in the mirror. [laughter]
32:07
>> They're creepy.
32:12
>> GO.
32:17
You got to turn this off.
32:17
>> All right.
32:18
>> I got to do it like this. I got
32:21
>> Do you want to jump at the Williams or
32:22
just [laughter] You're going TO BE BY
32:24
YOURSELF?
32:35
KILL. KILL.
32:35
KILL.
32:36
>> Got to go.
32:41
>> Ridiculous.
32:54
>> Now you just eat your teeth. Eat the
32:54
gum.
32:56
Oh [laughter]
32:57
>> Different than HHN.
32:59
>> All right, Justin's going to rip my face
33:00
off with his Spielberg arms. I'm
33:01
>> going to use my these magic hands.
33:04
>> And that cuts the dummy. Right.
33:41
>> the hot tub over here.
33:41
>> So, this is that dramatic scene. The mom
33:43
comes out, runs along the edge right
33:45
here, slips and falls right here, slips
33:48
into the mud,
33:54
and it does start shallow here and ends
33:54
it and ends deep over this way.
33:58
Whoa.
33:59
>> Dude, we've been friends for
34:02
what, 15 years or something. I don't
34:04
think I've ever gone swimming with you
34:05
anywhere.
34:06
>> It's a first time for everything.
34:07
>> I swear I do not think
34:08
>> there'll be any skeletons in here.
34:10
>> I
34:10
>> I think there will be. Spoiler alert.
34:12
Spoiler alert, they're right here. We
34:14
got the skeleton ready.
34:15
>> He doesn't want to go on camera.
34:17
>> He's leaving
34:19
with him.
34:20
>> So, it's just going to be a bunch of
34:22
dudes in the nude.
34:23
>> Someone's got to film you guys.
34:26
>> Oh, I I swim with my camera. I just hold
34:28
it above the water. What? What just
34:30
happened?
34:31
>> What was that?
34:32
>> The tree.
34:33
>> Is that the tree?
34:34
>> It's growing in the ground.
34:36
>> It's just rising up.
34:37
>> Yeah, the tree was right here,
34:38
>> dude. Dude, Adam, there's a ghost
34:41
floaty.
34:42
>> Get the ghost floaty.
34:43
>> There's a ghost floaty.
34:47
>> Ghost floaty. Skeletons.
34:49
>> Yes.
34:56
>> This is wild. Look at this. It's like
34:56
the same angle.
35:07
>> We're going to watch it after.
35:07
>> All right. You ready? Go long, Adam. Go
35:10
along.
35:12
Oh, it's cold. It's cold. [laughter]
35:18
>> The skeletons.
35:18
>> You're going to burnish in first before
35:19
we get in.
35:21
>> Yeah. And then we'll just chill.
35:22
>> You want us to do the skeletons for you?
35:24
>> I think this is good enough. We got
35:26
enough good stuff. People People
35:28
understand. You already did the skeleton
35:29
bit in your video. Make sure you watch
35:31
Malfunction Sean's
35:33
>> very detailed video on this. We
35:35
definitely did two different types of
35:36
videos.
35:38
>> Yes. That's a no. [laughter]
35:39
>> We were in the same spot. But
35:43
you didn't rip baloney off your face.
35:45
>> No, that was dedication.
35:48
>> Oh my gosh, it's getting cold.
35:50
>> It's cold.
35:55
>> Okay. What are we doing when we get in
35:55
here?
36:02
>> Oh, it gets really deep.
36:02
>> Wow. This is deep.
36:05
>> This is deep.
36:15
That's a divot right there.
36:15
That's the [laughter]
36:21
>> You going to the hot tub?
36:21
>> I just want to see how much
36:29
it's going to take a while to warm up.
36:29
>> He's waiting for that tree to grow back.
36:31
>> Hold on.
36:33
Little
36:39
This is where it all happened, right
36:39
here in the deep end.
36:48
It's a good way to end the night.
36:52
>> I just discovered this water is
36:53
incredibly cold.
36:54
>> It's not that bad once you're in,
36:56
Justin.
36:56
>> That's what they always say.
36:57
>> No, it's fine.
36:58
>> Sean's going to come in.
37:01
>> Sean just dove in.
37:04
Feels
37:08
good. It's refreshing.
37:08
>> If you try to slowly go in, you're going
37:10
to be like a water.
37:13
>> It actually feels really good. He's just
37:15
chilling right here.
37:17
>> He's just chilling. I know what this guy
37:19
wants to do. He wants to get on the
37:20
inflatable.
37:23
>> He wants to get on the inflatable here.
37:33
>> That was uncomfortable.
37:33
It is a little chilly in here.
37:34
>> Once you get the nipple in, you're all
37:36
right.
37:38
>> That's pretty good.
37:38
>> Reel the rack real quick.
37:42
>> Can I sit him up? Oh, get away.
37:44
>> Brisk is what it is. It's brisk.
37:51
>> Drag him in.
37:51
>> What are you trying to do?
37:52
>> Trying to sit him up.
37:56
>> Quick. All of a sudden, there was no
37:57
bottom.
37:58
>> Coming in. COME AND GET ME. COME AND GET
38:01
ME.
38:07
>> [cough]
38:07
>> OH my god.
38:08
>> And that right there. Yes, that is a
38:10
real skeleton. That's a real human
38:12
skeleton right here in the pool.
38:14
>> Yep.
38:15
>> Just like in the movie.
38:22
>> What if that thing electrocutes you? Cuz
38:22
it's got the It still has the battery
38:24
pack.
38:24
>> A little bit worried about my hair.
38:35
>> [laughter]
38:35
>> That's pretty.
38:38
This one doesn't like Look at him up. I
38:40
forgot he was I forgot he was up there
38:42
on the diving board.
38:52
>> I thought there was a plan.
38:52
>> You guys are sitting right by that dead
38:54
bird where it was buried.
38:57
Right there. Check it out.
38:59
>> Over here.
38:59
>> One foot.
39:02
>> No feet. Whoa.
39:13
>> Brains.
39:14
>> Oh This guy fell too.
39:19
>> No. Help me. Help me.
39:27
Elmo.
39:27
and glory in my mouth.
39:28
>> NO FEAR ME.
39:30
>> NO VLOGGING.
39:39
>> Rad
39:39
put his hand in front of [laughter] the
39:40
camera. No vlogging.
39:42
No filming.
39:44
>> What am I at a convention?
39:46
>> I got overheated in the pool.
39:50
I'm a little hot.
40:09
We ended up watching the movie on VHS
40:09
on an old school TV right here in the
40:12
same room from the house.
40:20
Everyone left
40:20
and I'm going to try to turn in.
40:23
It's quiet in here now.
42:19
It's quiet in this neighborhood
42:19
late at night.
42:22
What an evening. Hung out with a lot of
42:25
friends.
42:27
Saw some interesting things in the
42:29
kitchen. Gave a little tour of the
42:31
house. So, now I'm going to
42:34
go to sleep or I'll try to sleep.
42:37
It's after midnight now.
42:40
And that's going to do it for today.
43:19
that's going to do it for today. Thanks
43:19
for watching.
43:35
This house
43:35
and this vlog