Exclusive Access To BACK TO THE FUTURE Filming Locations - Scene Recreations & Celebrity Secrets
Back To The Future Filming Locations
Transcript
0:02
Welcome everyone. Adam the Woo here as
0:02
the recording of this TGIF. It is
0:04
Friday, October 24th,
0:07
2025.
0:08
We have parked here hanging out with the
0:11
BC Delorean crew. Have been the last
0:14
couple days. Today is no exception. We
0:17
are up here near the McFly house. Be the
0:21
first stop. They are unloading some of
0:23
their vehicles and we're going to go to
0:25
where George and Marty McFly lived. And
0:29
I think it will be the first time ever
0:30
where a BIFF's truck
0:33
is going to be parked in the driveway
0:35
and they're going to bring their
0:36
Delorean in as well. There is a
0:38
onslaught of things throughout the
0:40
course of the day, but this is the first
0:41
stop. See how the day leads. I'm
0:43
inviting you to join me. It's Back to
0:44
the Future's 40th anniversary. Where is
0:47
the time gone? Join me, shall you?
0:52
>> Are you here? Have you seen my glasses?
0:55
How do you like that?
0:58
>> Wait, I swear.
1:00
>> I've got some other glasses to put these
1:02
on. [laughter]
1:11
>> What a wash out. I mean, turn out.
1:11
Hey.
1:12
>> This is a very rare occurrence that we
1:15
are allowed to be on property.
1:22
>> Jeff Weissman's here. Played George
1:22
McFly in sequels. Chris McGlover, of
1:25
course, was George in part one. But look
1:26
at this. This is the This is awesome.
1:29
There's where Marty jumps over to goes
1:31
around to his room. There's the kitchen
1:33
window,
1:35
front porch,
1:37
the garage.
1:40
>> Awesome. Awesome.
1:44
>> So, yeah.
2:00
All right. This was worth getting up
2:00
early for.
2:01
>> Definitely.
2:10
>> You made it happen, man.
2:10
>> We made it happen.
2:11
>> Yeah.
2:12
>> With the the owners, uh,
2:15
>> Chris and Mary,
2:17
>> who've had this for 40 years. Over 40
2:19
years. I absolutely
2:21
>> I got more uh footage from the neighbors
2:25
who were shooting through that window
2:26
there,
2:27
>> right? I'm I'm in that more than in part
2:29
three. Last minute in part two and three
2:32
which were at one point the same the
2:35
same film Paradox and then uh you know
2:39
uh the studio almost pulled the plug on
2:42
on the whole project because it in 889
2:45
whatever it was it was over $40 million
2:48
and uh they kept asking for more and
2:50
more money. Uh, as it turned out,
2:54
the Bobs and the production team came
2:57
back to the studio and said, "Give us
2:58
another million and we'll give you two
3:00
films." And that's how Two and Three
3:02
came about instead of just Paradox. And
3:05
uh, Krispen apparently was holding out
3:08
for his million and script approval and
3:10
I was kind of their stop gap uh, safety
3:13
thing in case it didn't work out with
3:15
him. And then when he told me that they
3:18
didn't have he didn't give permission
3:20
for the use of my his likeness in my
3:22
makeups, I helped him with my photos and
3:24
such uh for him to to get his
3:27
settlement. But here, you know, a year
3:30
practically after I finished rapping as
3:32
as George in 2015 and and 55, I got the
3:36
call to come and do one more day as
3:38
47year-old George here.
3:41
And uh the through that window there,
3:44
the neighbor was videoing everything
3:46
going on. And I think I'm in that video
3:48
more than I am in the movie. [laughter]
3:51
But nonetheless, uh we we gathered the
3:53
the uh the dressing rooms, trailers were
3:58
out here, makeup and so on so forth, the
4:00
production team were out here. Uh we
4:03
were uh you know, hanging out somewhat.
4:06
It was a kind of a long day, but at one
4:08
point during the day, you know, we all
4:10
gathered out front here to to take
4:13
pictures. And uh one of the moments
4:17
during this session, uh there was a a
4:21
shot where uh
4:25
Continuity was taking a photo and Mike
4:27
said, "Let me see that. Let me see
4:28
that." It was a Polaroid. And Mike said,
4:30
"Oh, no. Throw that away." because he
4:32
behind
4:35
behind uh was it Wendy or Mark
4:39
>> behind Wendy? I think he was holding a
4:41
Pepsi and he had just taken a big swig
4:44
and he burped and it and it apparently
4:46
looked like it in the Polaroid and so he
4:49
threw it away and I said, "Don't throw
4:50
that away." So I grabbed it.
4:51
>> Oh, nice.
4:52
>> So So this Polaroid
4:54
>> Wow. where Mike's burping and then he
4:57
threw away. Um, I grabbed and then I had
5:00
it blown up because I didn't really have
5:02
many photos. Production kind of drug
5:05
their heels and get any pictures and uh
5:07
during the auction part I noticed there
5:09
was this stack of the shot that was
5:13
blown up from my Polaroid was like,
5:15
"Hey, how did she get her hands on
5:16
this?" I don't even remember get getting
5:18
it to Wendy Joe, but she had a stack of
5:20
them that were signed by all the cast
5:22
members, but no one was bidding on them.
5:25
>> So, I I I bid on them and I got them.
5:29
And there some of the only shots extent
5:32
that Wendy Joe's autograph is on because
5:35
she's no longer with us. So, I thought
5:37
I'd bring this out from the archive to
5:39
share with you all because it it relates
5:40
to this place and that day of shooting.
5:42
Chrisman had a hard time staying uh on
5:45
his marks for camera, for framing, and
5:47
for focus. They even in Mike's new book,
5:50
he even talks about them building with
5:52
seaands and sandbags a path for him to
5:55
stay on. Uh so the Bob said, "Oh, how
5:57
can we control his movements and keep
5:59
him in frame?" It was by hanging him
6:01
upside down in that orthol lab. It
6:03
wasn't to disguise it was a different
6:04
actor. And then while we were in
6:06
production, uh, one of the crew members
6:08
came over and said, "You know, all this
6:09
hanging upside down was meant for
6:10
Christmas, all this torture." And I was
6:13
like, "Great. Thanks." So, I know you're
6:15
gonna see Neil Kton later on. See if you
6:17
can verify that. And also ask him if I I
6:20
can get my stunt pair. I never got
6:21
stunt.
6:23
>> How does it feel having your trucks in
6:24
the in the driveway?
6:25
>> It's pretty cool, man. When we built
6:27
this truck, I never thought that we'd
6:28
take it all the way down here to get it
6:30
in the driveway. That's in insane. So,
6:32
>> shout out to Eric, Back to the Future
6:34
IG.
6:35
>> Thank you guys for coming. Sending this
6:36
up,
6:36
>> dude. Thank you.
6:37
>> Yeah, absolutely.
6:39
>> Here we are.
6:40
>> So, who brought the VHS?
6:43
>> Right here.
6:47
>> Dude, the fact that we're just hanging
6:47
out in the driveway is something I just
6:49
never thought I would have been able to
6:50
do.
6:51
>> I know. Seriously, it's huge.
6:53
>> Have you ever hung out in the driveway
6:55
before here?
6:55
>> Not like this.
6:56
>> Yeah, exactly. Right.
6:58
>> Not with Not with the car. I I forgot to
7:00
put Mr. Fusion on.
7:02
>> That's why it's in the trailer. I forgot
7:04
to
7:05
>> have to change it out.
7:06
>> Close enough.
7:07
>> Next next year.
7:08
>> So, you're we're matching shirts here
7:10
today. You got yours at a at a Salvation
7:12
Army.
7:12
>> I got mine from Salvation Army. $7.
7:16
>> Excellent.
7:16
>> Hello. How are you?
7:17
>> Great to see you again.
7:18
>> Have you signed my book?
7:20
>> I I did last time I was visiting, but
7:21
I'll I'll do it again.
7:22
>> I guess I don't know.
7:22
>> Cuz you live in you live in the
7:24
neighborhood.
7:24
>> I'm You're right there.
7:25
>> I'm Matt Fly's neighbor. That's my name.
7:28
>> That's my name. Matt Fly's neighbor.
7:30
>> Okay.
7:32
>> Really?
7:32
>> Is that your driver's license?
7:33
>> No. I wish I would put it on my driver's
7:35
license.
7:35
>> Are you the one that got the home video?
7:37
>> Yeah, that was me peeking out the window
7:40
right there. And the producer went
7:43
>> So I come out and I said, "Well, why do
7:45
I have to stop? I'm in my house." He
7:47
said, "Yeah, but when I say action, they
7:49
look at you."
7:51
>> Sorry. [laughter]
7:52
>> The neighbor has a guest guest book I
7:53
signed with the date. These are some
7:55
photos that she has [laughter] when they
7:58
were producing it. There's a Memechus
8:00
there. There's Michael.
8:02
>> There's
8:04
Jennifer Parker for part two. Elizabeth
8:07
Shu, not Claudia Wells, who was in part
8:08
one.
8:17
>> Uh, in part two, a bit that was cut. You
8:17
remember Fruit, please? When uh the the
8:20
fruit thing came down from the the
8:22
ceiling. Uh, there was a bit where
8:25
Lorraine improvised, Marlene, give your
8:27
granddad a piece of fruit. And and Mike
8:29
as Marlene came over and gave me a
8:30
banana. And I I tried eating a banana
8:32
upside down. The skin kept slapping me
8:35
in the face, but did some improv. And
8:37
Zus liked it. He he thought it was
8:39
funny, but it did it was cut. So, I have
8:42
this photo that's the only uh kind of
8:45
evidence that that scene was shot. And I
8:48
and I uh I signed one to everyone here.
8:51
>> Oh, awesome. And uh and then and uh
8:58
>> yeah,
8:58
>> it is a bit that was cut from
9:00
>> the elusive banana.
9:02
>> So funny.
9:03
>> Caroline is
9:05
>> and Jenna
9:06
>> Jenn
9:15
up on the second behind this door.
9:15
>> Can you get to the one?
9:18
>> We ain't going to be terrorized.
9:20
>> [laughter]
9:27
>> And then we got
9:37
>> How about a ride, mister?
9:37
>> Ah,
9:39
>> you're a cypress.
9:40
>> Marty, I don't like you haven't seen me
9:42
in a week.
9:42
>> Yeah, I haven't.
9:44
>> Are you okay? Is everything all right?
9:50
Everything's great.
9:50
>> Not to digress the Back to Future stuff,
9:52
but I'm a huge Twilight Zone guy.
9:54
>> Do you have any stories of the nightmare
9:56
episode from with Lithggo and all that?
9:59
>> I just might. Let's see if I have any
10:00
pictures here. Uh
10:03
>> it was a fantastic shoot to be a part of
10:07
that that ensemble.
10:09
>> Uh you know, JD Johnston and and Peg who
10:12
played my wife Donna Dixon, Margaret and
10:14
Abby Lane and Charles Knap, God bless
10:16
him. that it was so fantastic because
10:19
George Miller,
10:21
>> he cast really capable people and
10:23
allowed us the the
10:26
mo the room to improvise to come up with
10:29
stuff. So when you see my wife and I
10:32
fighting over the the pillow or rubbing
10:35
our head, crying, thinking we're going
10:37
to die, you know, we tried things in
10:38
rehearsal and he said, "Yes, yes, keep
10:40
doing And it was so exciting because it
10:42
was one of the first time Garrett Brown
10:44
and his steady cam worked, you know, and
10:46
Garrett's 6'6 or something and his
10:48
steady cam was 65 lb and he's running up
10:50
and down the aisles of the airplane
10:52
while Alan Davio is sitting back just
10:54
enjoying the ride, you know, and and
10:56
George Miller was beside himself because
10:58
it was the first time that they were
11:00
able to put a tap, a video tap on the
11:02
lens of the camera so he could see what
11:04
the camera was seeing and he was beside
11:06
himself and George was just a delight to
11:08
work with. It was so much fun and it was
11:12
his first Hollywood film and I and it
11:13
was my first co-star film in Hollywood.
11:16
>> That's great.
11:16
>> It was a treat to to be a part of it.
11:19
>> I have many more stories from that set.
11:21
So, interview me for your show and I'll
11:23
I'll bring them out.
11:24
>> Sounds good.
11:24
>> When you I know you probably knew that
11:26
magic was happening when you were
11:27
filming it. So, when you saw the
11:29
completed thing, were you like blown
11:30
away with how how good and scary it was?
11:32
>> Of course. Yeah, of course. I'm looking
11:33
for how much screen time I got, but no,
11:35
the pacing of it was so fantastic. You
11:37
know, I had my script out just a couple
11:39
months ago and I was looking at and
11:42
Nightmare at 30,000 ft, the remake of
11:45
Nightmare at 20,000 ft. That segment was
11:47
supposed to be the second segment
11:49
>> really script and and you know it was
11:52
just you know in this movie with a bang
11:54
make it number four and made a lot of
11:56
sense.
11:56
>> That's awesome.
11:56
>> Uh it was you know frank frankly
11:59
shocking that they Spielberg decided he
12:01
wanted to finish that film after the
12:02
horrible accident with Moro and the
12:04
kids. Uh but he decided to finish it and
12:08
my agent said go for it. You know it it
12:10
uh hopefully you know they'll cut that
12:12
segment or whatever they're gonna do.
12:14
And you know it was heartbreaking and
12:16
[clears throat] yet at the same time it
12:17
was really exciting because you know
12:18
John Lithco was a dream to work with. Is
12:21
wonderful man and everyone like I said
12:23
was an ensemble that just loved being
12:25
there.
12:26
>> Awesome.
12:29
Hey,
12:31
>> is that too close to last?
12:38
I'm I'm just finishing up the second
12:38
coat now.
12:40
>> Don't con us. Okay. Don't con the flies.
12:43
>> I I don't think you're supposed to wax
12:45
it. Don't worry.
12:46
>> That's true. That's true.
12:49
>> And uh Zmechus and uh his location
12:53
manager came.
12:54
>> Zamechus told him to come up and ask me
12:56
about doing the movie. And I thought it
12:58
was a scam [laughter]
13:00
because they said it was from MCA. And I
13:02
never heard of MCA before any dumbass
13:05
ever.
13:06
>> But yeah, it's just
13:07
>> Wow.
13:08
>> And from there it was the rest is
13:09
history.
13:10
>> Yeah. So it was all happening right
13:11
here. Were you just watching out the
13:12
window?
13:14
>> No, he was swimming the bushes.
13:15
>> Oh, and they were filming.
13:17
>> I was in several places, you know, like
13:19
so cool.
13:19
>> Cuz their camera would transmit on 10. I
13:21
could watch it off my TV and just sit in
13:23
my chair and watch.
13:24
>> So did they film inside the house?
13:25
>> No, they film from the inside out like
13:27
when Biff was waxing the car, you know.
13:29
So they just built a set of the inside
13:30
of the house.
13:31
>> Yeah, they came in, they did a floor
13:33
plan drawing on, built it on a sound
13:35
station.
13:36
>> How similar to the movie is to your
13:38
inside?
13:40
>> It's close [music] but not exact.
13:42
>> I was curious. I walked in, you see the
13:44
backyard. When you walk in, you see the
13:45
backyard.
13:47
>> Well, if you walk
13:49
>> sliding glass door.
13:50
>> Yeah. The sliding glass door was that
13:52
what they did is they put like wood
13:54
around wood framing and made it look
13:55
like French doors. Yes,
13:57
>> that was the only thing they did through
13:58
that one. Everything else was filmed
14:00
this way.
14:04
>> Go.
14:04
>> Action.
14:05
>> Marty. Marty, I wanted to show you these
14:06
matchbooks I got PRINTED UP FOR MY AUTO
14:08
detailing business.
14:25
All
14:26
>> right,
14:27
>> take two. Take two.
14:28
>> Take two. Ready?
14:31
>> Marty. Marty, I wanted TO SHOW YOU THESE
14:33
MATCHBOOKS I GOT PRINTED UP FOR MY AUTO
14:34
DETAILING BUSINESS.
14:55
Yeah, like that.
14:55
>> What the hell is going on?
14:56
>> What the hell's going on here?
14:58
>> One more time. Go.
15:16
matchbooks I got printed up for my auto
15:36
>> Someone get a photo.
15:36
>> No, they're twins.
15:36
>> We're twinsies. We're twinsies.
15:39
>> We're both vloggers.
15:42
>> You got to take over my channel.
15:43
>> Oh, yes.
15:44
>> Yeah. Yeah. Say, "Join me, shall you?"
15:47
>> Join me. We are twinses.
15:49
>> Say, "Join me, shall you?"
15:51
>> Join. Join me, shall you?
15:53
>> That's it.
15:53
>> Oh my god.
15:54
>> Nailed it.
15:55
>> I nailed it.
15:55
>> I'm retiring soon. You can take over.
15:57
>> I can take over for you.
15:59
>> Yes, ma'am.
16:00
>> Mary, I'm in trouble. [laughter]
16:11
>> And you know what?
16:11
theor.
16:17
>> All right, go for it.
16:17
>> I'm good.
16:37
Thanks, guys.
16:37
>> That's cool.
16:57
>> Is that the giv German and Venice? What
16:57
do you think?
16:58
>> I just came because I saw your videos. I
17:01
said, "Hey, I cannot miss this day, man.
17:03
>> What's up, buddy?
17:04
>> Good to see you. Good to you. You just
17:05
get here and back into town."
17:08
>> Still really tired, but of course, we
17:10
got to match up the pictures here, you
17:11
know? So,
17:11
>> I love how you always do that.
17:14
>> Right there. Look at this. We are right
17:15
here.
17:18
>> And uh
17:20
>> can I do a shout out on your video for a
17:22
person that watches your video all the
17:24
time? Go for it.
17:24
>> Shout out to Renee. She's watching you
17:26
all the time and she tells me everything
17:28
where you are so I know where to go.
17:30
Thank you so much Renee. Have a good
17:31
day. Thanks for watching Adam and me.
17:34
>> Awesome. That was good to see you, Mike.
17:36
>> Good to see you, man.
17:38
>> You too, buddy.
17:39
>> Is that Kurt '8s Life? Is that Kurt from
17:42
80s Life on YouTube?
17:46
>> Kurt, what
17:46
>> is that Kurt from 80s Life on YouTube?
17:49
>> Oh my gosh.
17:50
>> We're hit the We're at a Back to the
17:52
Future spot together. What are the odds?
17:54
Oh, thank you.
17:55
>> I've been dying to meet you, man. I'm
17:57
Robbie.
17:58
>> I'm documenting the first time you guys
17:59
have
17:59
>> meet I think.
18:06
>> All right. I asked GI. He said he's been
18:06
in the school. Have you been here, Kurt?
18:08
>> I have not been inside. I've been on the
18:09
grounds many times. Never been inside.
18:12
>> How stoked are you to go in here?
18:13
>> Really excited.
18:14
>> Have you been to the Punchout scene
18:15
around back?
18:16
>> Yes.
18:16
>> Okay. You've been to that? But not
18:17
inside.
18:18
>> Everything outside I've been to. Just
18:20
not
18:21
>> I can't wait. When Doc and Marty come
18:23
into the school and he meets Lorraine up
18:27
against this wall over here, right?
18:30
Those lockers that you see that she's
18:32
leaning up against, there were never
18:34
lockers there. They were actually movie
18:36
props that were put in.
18:38
>> Um, but all the other lockers you'll see
18:40
in the other buildings, those are the
18:42
original lockers.
18:45
>> Shout out to the GI for bringing all the
18:47
that poster was right down the corner.
18:57
Bring in all the photos right here.
18:57
>> This corner would have been where this
18:59
poster was placed.
19:02
>> That's amazing.
19:04
>> Oh, that's the rhythmic ceremonial
19:06
ritual.
19:08
>> I always thought I thought they built it
19:10
built.
19:10
>> I always thought they built a fake
19:12
>> really deep.
19:12
>> I don't I don't know if the scene was
19:14
actually shot in this office,
19:15
>> right? But the windows, looking out the
19:18
windows onto the horseshoe where George
19:20
clocks Biff. Hollywood.
19:23
>> Never stood up to him in his life,
19:24
>> dude. I've always heard they built an
19:26
extension, right?
19:27
>> All right.
19:28
>> Talk about deja vu.
19:29
>> Still possible. You never know.
19:31
Hollywood. Talk about deja vu
19:33
>> saying the spot.
19:37
Biff, you're breaking his arm.
19:40
It's amazing when you watch the film.
19:42
When you visit here in real life and
19:44
then you watch the movie back, you
19:45
realize this is just like a courtyard,
19:47
but in the movie you just assume that
19:49
it's a parking lot. Even though they had
19:50
cars parked here, it's like it's a lot
19:52
different when you see it in person,
19:53
right?
19:54
>> It is. It feels so much bigger in the
19:55
movie.
19:56
>> But
19:56
>> but it's not a parking lot. It's just a
19:58
courtyard.
19:58
>> I know.
20:00
>> It's right here.
20:00
>> Then he comes creeping around.
20:01
>> I'll give you a camera. Go for it. Go do
20:03
it.
20:03
>> He jumps over.
20:04
>> Then he comes creeping around, sneaking
20:06
up.
20:08
>> He comes creeping around, sneaking up on
20:11
Bib like this.
20:14
and jumps over the wall.
20:15
>> Yes,
20:16
>> jump over the wall.
20:17
>> Dude, I've done it before.
20:19
>> You actually did it?
20:20
>> No, I didn't do it. Anthony did it. I
20:22
made Anthony do it. My buddy.
20:23
>> It's always better to make Anthony do
20:25
>> Yes. Always.
20:26
>> You can do it composite where you just
20:28
get up and
20:29
>> do it. I don't.
20:35
>> Don't do it, Andrew.
20:35
>> Then you got to come down and watch for
20:37
the movie
20:39
>> I'll put an edit in here. They had some
20:41
uh padding down there because if you
20:43
actually jump straight down, you jump
20:45
right onto stairs.
20:48
>> Made my buddy Tony P do this back in the
20:49
day. Dude,
20:50
>> you've been drinking, sir?
20:52
>> I don't know what [laughter] that could
20:53
taste like. I'm too young to drink.
20:56
>> It's not my homework cuz uh not at home.
20:59
>> He's got a real attitude.
21:01
>> Trying to get this armor knock right
21:04
>> Almost got it.
21:05
>> Almost.
21:05
>> You almost got it. Giv
21:11
>> I can hit it. German
21:11
>> preach.
21:12
>> Get back. Get out. Get out of here.
21:13
[laughter] Get Get back out of here. G.
21:21
>> One picture.
21:21
>> This is an iconic spot.
21:29
>> That's a long just That's a long drop,
21:29
man.
21:31
>> All right. Look at this.
21:32
>> Do it, man. Jump.
21:33
>> No. No. Don't. Don't.
21:34
>> Oh, come on. People at Swampfest would
21:35
do it.
21:36
>> This is not Swampfest. This is
21:37
California. They do things a little bit
21:39
different here in LA. You're
21:41
>> right.
21:42
>> GI.
21:55
>> Look at the squirrels right in the
21:55
squad. That's Marty.
21:57
>> Marty Mcquirrel. Marty McNut
22:00
>> in the 80s.
22:02
>> That was a cinematic shot I just did
22:03
right there. That was good, right?
22:05
>> That was good. You're like a human
22:06
drone.
22:08
Okay,
22:08
>> look at this. Everybody's gathered
22:09
facing us. So, obviously, guys,
22:11
>> we know which way the shot is.
22:13
>> Hello, everyone. Hello. Yes, you may
22:14
take all the pictures you want. Here I
22:16
am.
22:17
>> I'm here. Justin's guard everyone.
22:19
Justin's here.
22:23
>> I got to get one of those, man.
22:26
>> One of the best shirts ever made.
22:28
>> Danielle said she designed this.
22:30
>> Oh, really?
22:30
>> Danielle and Yeah, Danielle. Andrew and
22:32
Danielle.
22:33
>> Shout out to Danielle. This is beautiful
22:35
piece of work. Beautiful piece of art.
22:37
>> Okay, come on. I think we're safe.
22:39
>> Okay. All right. Listen, it's not my
22:41
fault this time. The doc said El's
22:43
clock's back 25 minutes back.
22:45
>> Doc,
22:46
>> am I to understand you're still hanging
22:48
around with Dr. Emma Brown? McFly.
22:51
>> Tardy slip for you, Miss Parker.
22:53
>> And tardy slip for you, McFly. I believe
22:55
that makes Florida world.
22:56
>> Now, let me give you a little nickels
22:59
worth of free advice, young man. The
23:00
so-called Dr. Brown is dangerous. He's a
23:03
real ncase. You hang around with him,
23:04
you're going to end up in real trouble.
23:07
>> Oh yes, sir.
23:09
>> With flies.
23:09
>> Oh yes, sir. [laughter]
23:11
>> You got a real attitude problem, McFly.
23:13
You're a slacker. You know, you remind
23:15
me of your father when he went here,
23:16
too. He was a slacker, too.
23:19
>> Touch his nose. [laughter]
23:23
>> Mr. Strickland,
23:24
>> can I go now? Mr. Strickland,
23:25
>> I noticed your band is on the roster for
23:27
the dance auditions. Why even bother
23:30
McFly? You don't have a chance. No McFly
23:32
has ever amounted to anything in the
23:34
history of Hill Balling.
23:37
>> Kiss him. CATCH HIM. [laughter]
23:39
>> WELL DONE.
23:42
>> Look at all this. You had all the line.
23:43
Do the line.
23:44
>> Yeah. Well, HISTORY'S GOING TO CHANGE.
23:46
>> YEAH.
23:47
>> HISTORY'S GOING TO CHANGE, BABY.
23:49
>> Good job. Good job.
23:51
>> Thank you. How do we do,
23:52
>> dude? Good job. Good job, buddy.
23:54
>> Walking forward. We're all
24:04
>> freaking ruled. one in the fridge.
24:04
>> So, this cafeteria was actually rebuilt
24:07
in 2006.
24:09
>> Um, and that's because it was actually
24:11
sinking. So, um, they did have to
24:15
obviously um, completely rebuild it.
24:17
However, it is on the same location of
24:20
the original cafeteria. So, this is
24:22
still the same spot, just a new
24:24
building.
24:27
>> He was very handy.
24:28
>> Oh, you got Wait a second. Hold on. He
24:29
got the He got the paper airplane. I
24:31
think it was like over there and then
24:32
they throw it this way, right?
24:34
>> He's very
24:35
>> either way. Strickland.
24:37
>> Go ahead. Go.
24:39
>> That ain't work. That was a fail.
24:41
>> Tried that one more time.
24:43
>> One more time.
24:44
>> This is where Marty and Biff would have
24:46
been getting in a fight. Almost fight.
24:48
>> The original cafeteria was erased from
24:50
existence.
24:53
>> Since you're new here, uh, I'm going to
24:54
cut you a break.
24:57
Is he doing this arm or this arch,
25:00
>> You know, uh, since you're new here, I'm
25:03
going to cut you a brick. So, why don't
25:05
you make like a tree and get out of
25:08
here?
25:10
>> You're a lot stronger than I remember.
25:14
>> Got some meat hooks on you. I threw my
25:16
meat hooks on him.
25:17
>> Meat hooks.
25:18
>> Hey.
25:20
>> Oh, wait. We got Marty right here.
25:21
>> Yeah. Yeah. Right here. Wait, wait. Come
25:22
over here. Grab me again.
25:24
>> What am I doing?
25:25
>> Come over. Bring us up. Get your meats
25:27
off of here.
25:28
>> Ready?
25:29
>> Well, maybe you are. You just don't know
25:31
>> No.
25:33
Get your meat. You looking for them.
25:38
>> You know, since you're new here,
25:40
>> I'm going to cut you a break.
25:42
>> So, why don't you make like a tree
25:44
>> and get out of here.
25:51
>> Smake like a tree. Make like a tree,
25:51
PLEASE.
25:53
PAPER AIRPLANE. THE PAPER AIRPLANE.
25:57
BRAVO.
25:58
>> Well done. Well done.
26:00
>> Well done.
26:01
>> Well, kids got nothing on our drama. So,
26:04
>> all right. We're now making a commute
26:06
back over to Burbank to a store called
26:09
Blast from the Past.
26:11
Couple cast members from Back to the
26:12
Future.
26:14
We're going to be doing a panel and
26:15
signing some autographs. Blast from the
26:18
Past.
26:20
There's Marty right there.
26:22
and Connory
26:25
>> and Andy and Jason and Frankie and
26:28
Vader, Spock, Staypuffed, Spider-Man,
26:30
and Batman.
26:33
Got to get some more signatures for my
26:34
poster.
26:46
>> Uh, let's see. Somewhere away from
26:46
everyone else cuz it's getting kind of
26:48
cluttered.
26:49
>> Maybe up here. Maybe that too. You want
26:52
that up there?
26:52
>> I think I'm going to use this one here.
26:54
>> Yeah, if you don't mind. Thank you,
26:56
Neil.
26:56
>> Closer for you.
26:58
>> Up here.
27:10
>> All right. Thank you, sir.
27:10
>> Nice to meet you.
27:11
>> Nice to meet you, too.
27:12
>> Yeah. I'm Adam, by the way.
27:14
>> Yeah. Nice to see you.
27:16
>> Mind if I get a photo, too? Cool. Thank
27:18
you.
27:18
>> I can I can fit it right in.
27:20
>> Yeah, that works. Sounds good. Thank
27:34
>> All right, Charlie. Thank you.
27:34
>> So, this
27:35
>> Yeah, it's it uh it's got a little bit
27:37
of a learning curve, but I'm getting
27:39
kind of used to it.
27:40
>> So, out of all the ones in part one, is
27:42
this probably the most famous one that
27:43
you did jumping over the car before the
27:45
manure chase?
27:47
Yeah, that probably would be because uh
27:49
Yeah, that definitely is. That was the
27:51
first stunt I did as well.
27:55
>> Right after I started when uh the day I
27:59
started on it, um I didn't even know
28:02
what I was doing.
28:02
>> You just showed up and they're like, "Do
28:04
this."
28:04
>> Show up to work. All right. Okay. You're
28:06
going to be pushed back on a skateboard,
28:07
run over the top of the car, and land
28:09
skateboard.
28:10
>> That's great, though. [laughter]
28:12
>> Well, very cool.
28:13
>> Yeah. Yeah. This was really
28:16
That was fun. That was great.
28:18
>> There's you get in the air.
28:20
>> And that's the real actors.
28:22
>> Real actors, right?
28:23
>> I don't think that's that might be a
28:24
stunt double, but these are the other
28:26
three actors.
28:26
>> Yeah. This is probably John Scott.
28:28
>> John Scott, the driver for B.
28:30
>> Yeah. Um and yeah, these were all the
28:32
actors. It's important that I could,
28:35
>> you know, do it with them in the in the
28:37
car in the shot um as well.
28:40
>> And you did two and three also, right?
28:42
>> I did two and three. Did you do the drag
28:45
dragging getting dragged behind the
28:46
horse scenes?
28:47
>> That was you
28:47
>> for a week.
28:48
>> For a week straight.
28:49
>> Week all the shot all the different
28:51
shots and angles
28:54
drag behind a quad
28:59
>> probably 60 ft
29:01
>> and then I did all the stuff.
29:05
>> And up to the hanging hung.
29:13
Did you do the drop when he shoots the
29:13
Really? So, you're the one that fell on
29:14
the ground.
29:15
>> I was the one that fell on the ground.
29:16
Okay.
29:17
>> I was the one that the horse stepped on
29:19
and crashed into all the wood on the
29:22
building and the and the horses and the
29:24
wagon and everything.
29:25
>> Well, nice to meet you. My name's Adam.
29:27
>> So, nice to meet you. Thanks for being
29:28
my video.
29:29
>> I appreciate the signature. Have a good
29:31
night.
29:33
>> I can have this.
29:34
>> Yeah, you can have them signed.
29:41
>> I printed that.
29:41
My pleasure. Let's not wait another 25.
29:50
>> Yeah. Started this in 08.
29:50
>> So, I'm going actually have you use this
29:51
one if you don't mind.
29:53
>> And then uh maybe let's try to do it.
29:55
There's a lot of kind of overlays. So,
29:57
maybe if you try to stay away from where
29:58
everyone else
29:59
>> kind of did.
30:00
>> Where's Tom Wilson?
30:02
>> Tom is here. You can see actually Drew
30:05
Struzen kind of went into Tom there a
30:08
little bit.
30:08
>> Yeah. And then uh Fully Love kind of
30:11
went into Michael a little bit. So maybe
30:13
maybe like right here kind of small.
30:16
>> Sure.
30:16
>> Yeah. Thank you.
30:19
>> Where's the crispy Glover?
30:22
>> Oh yeah.
30:33
>> Oh, I love that you're doing the quote,
30:33
too. That's cool, man.
30:39
There you are, sir.
30:40
>> Thanks, Johnny. Good to meet you, man.
30:41
I'm Adam, by the way.
30:43
>> You, too, as well. You as well, man.
30:44
>> I appreciate it. Thank you.
30:46
>> Yeah, my pleasure.
30:48
>> And there you go. Just want to show the
30:51
>> Oh, yeah. Hey, uh, can I give a shout
30:54
out to Tom Wilson?
30:55
>> Yeah, go for it.
30:56
>> Okay. Hey, Tom, what's up? Johnny Green,
30:58
scooter kid number one. Be seeing you in
31:00
the future.
31:02
>> Awesome. Awesome. Do
31:06
>> you still ride one of these around like
31:07
that? That same kind of box set
31:08
>> pretty much.
31:10
>> That's your mode of transportation.
31:11
>> Yeah. I just put like a little motor on
31:13
the back and I just got myself Yeah.
31:15
motorized.
31:16
>> You know, interesting. I kind of went
31:17
frame by frame through the skateboard
31:19
chase
31:19
>> and I realized when Michael pulls this
31:22
off,
31:23
>> it's not even nailed to the board.
31:25
>> Yeah. They barely pinned it.
31:27
>> Right. I'm right assuming that, right?
31:29
>> Correct. Yeah. Okay. Yeah,
31:31
>> because it would be very difficult for
31:34
him to rip it off of there. Correct.
31:35
>> Yeah, he wasn't that strong.
31:37
>> Very cool. Very cool. There's Tom right
31:39
>> There he is.
31:39
>> Like over your shoulder.
31:40
>> There he is. Yeah.
31:42
>> Very cool. Thank you, man.
31:43
>> Yep. You got it.
31:44
>> All right. So, let's see where we got a
31:46
spot at.
31:47
>> Uh here.
31:51
>> Do there. We can maybe do here kind of
31:53
small.
31:54
>> Yeah. Actually, I see have you use this
31:55
one here.
31:56
>> Yeah. And then uh yeah, just kind of
31:57
maybe right there.
32:11
>> Very cool.
32:11
>> Thank you.
32:11
>> So, there any specific stunts from part
32:13
one that people would know just if you
32:15
wanted to bring anything up from the
32:17
from the square itself on the
32:18
skateboard?
32:19
>> Well, I think the the fun part was
32:21
jumping over the bush. That was the easy
32:23
part. The hard part was to do the 180
32:26
slide and be ready for that hood coming
32:28
towards your way and be pushed backwards
32:31
through the corner. That was scary.
32:33
>> That was right on. My name's Adam.
32:36
>> Adam.
32:36
>> So nice to meet you. So did you also
32:38
double other other characters as well?
32:40
>> They shave my head. So I was skin
32:42
headed. I got the manure all over me
32:44
too.
32:44
>> So you were in the car?
32:46
>> In the car. Interesting.
32:47
>> We did it three times.
32:48
>> I have a question about the manure.
32:50
Obviously, it wasn't real poop or
32:52
anything like that, but obviously when
32:54
the stunt people slide into there, were
32:56
you in the one sliding in when it dumps
32:58
on?
32:59
>> Exactly. So, I've got most of the manure
33:01
on me, which it was mulch and probably
33:04
>> You were closest to the car.
33:06
>> Yeah. Because JJ would have been in that
33:08
back seat against the back.
33:10
>> In the front. Yes. So, next to
33:13
>> Yes. Okay. So, then when they had the
33:15
real actors come in, you guys had to get
33:17
out. They had to scoop all that out, put
33:19
them in, and then dump it back on. Did
33:21
they just have people with shovels just
33:22
like
33:23
>> Oh, yeah.
33:23
>> Holy cow, man.
33:24
>> I know. It's like a lot of hurry up and
33:26
wait, you know, cuz they're sitting
33:27
there, then they have we have to go out
33:28
and then they have to redo it. It's
33:30
>> like And all the How many days of shoots
33:33
was it?
33:34
>> It ended up being one week when Eric
33:36
Stoultz was the star and then another
33:40
week when Michael J. Fox was the star.
33:42
So, we had to reshoot a lot of the
33:44
stuff. some of the skate stuff. I think
33:45
almost all the skates stuff had to be
33:47
redone.
33:48
>> All right, one last thing
33:51
before calling it a night. We're over
33:53
here at this place used to be the gas
33:55
and sip from the movie Say anything. And
33:58
there's a scene where Johnny, who plays
34:00
skateboard kid number one in Back to the
34:02
Future, the Wow, look at him go was in
34:04
Say Anything and he has a line in the
34:06
movie
34:08
and they're going to recreate it
34:11
>> right over here.
34:20
Yeah, classic John Cuz film, Bouncing
34:20
Souls off the Good, Bad, and Argyle
34:22
album. They have a song. These are the
34:23
quotes from my favorite '8s movies. And
34:25
they quote Cuzac, you know, the guy's
34:28
all alone sitting in front of a gas and
34:29
sip with no women anywhere by choice.
34:33
Right after that, it was right after the
34:35
man that Johnny says, and he
34:37
walks off. And this is the fence right
34:39
here. This is the same fence looking
34:41
right down there.
34:43
Can't trust her, man. All they do is
34:45
they spend your money and they tell
34:47
their friends everything. It's about
34:48
economics.
34:51
>> All you got to do is find a girl that
34:52
looks just like her and dump her.
34:56
Hey, the only mistake is that you didn't
34:57
dump her first. Lloyd Dobler is a
34:59
stallion, man. Walk with us and you walk
35:01
tall.
35:03
man. Oh, guys, I got a bail.
35:08
See you, man.
35:09
So, if you guys know so much about
35:11
women, why are you all alone drinking
35:12
beers at a gas and sip with no women
35:14
anywhere?
35:16
>> By choice.