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Silent Rage (1982) Filming Locations - The Chuck Norris HORROR Film / Then & Now in Dallas Texas

Date: November 17, 2021 Duration: 37m 48s
Silent Rage 1982 Filming Locations
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Transcript

0:04 welcome everyone adam the woo here
0:04 on a very beautiful morning on the
0:06 outskirts of dallas texas as the
0:08 recording of this
0:09 november 16 2021
0:14 i will be
0:15 in great detail attempting to fight as
0:17 much as possible
0:20 from the filming look what's left from
0:22 the filming locations of silent rage a
0:24 chuck norris horror film that's right
0:28 now he's still you know he had there's a
0:30 lot of action in this
0:32 but i'm going to class i'm going to
0:33 classify this
0:35 as a do not b2c this is not a vhs
0:38 it's just a sleeve
0:40 there it is there's chuck norris right
0:42 there
0:43 and john kirby
0:46 who is indestructible think of
0:49 michael myers meets the terminator
0:52 meets
0:57 chuck norris
0:57 i'm inviting you to join me
0:59 i am very excited about this i this
1:02 might be one of my favorite chuck norris
1:03 movies i love this movie maybe it's the
1:05 nostalgia aspect maybe it's how bizarre
1:08 it is and there's not a lot of
1:09 information online on where the spots
1:11 was
1:12 so i had to i had to put some time into
1:14 this
1:15 join me
1:16 okay putting this back in the
1:18 retro vhs looking sleeve
1:20 shall you
1:21 i always like a good challenge when
1:23 finding things especially when there's
1:24 not a lot of info out there
1:27 thankfully
1:28 you know through high definition
1:30 and watching a movie you can see certain
1:33 elements in the background like a street
1:35 sign on this corner as well as looking
1:38 in the background of a certain frame
1:40 like these apartments over here which is
1:42 kind of what
1:43 gave the clue that it's that home over
1:45 there that was used now these two homes
1:47 were built after 1982. this was just an
1:51 empty lot
1:53 where the sheriff played by chuck norris
1:57 fought
2:03 brian libby who did a heck of a job
2:03 playing the villain right over in here
2:06 so this is all post 1982.
2:10 however
2:11 that house right over there where the
2:13 truck is parked in front of
2:15 is the screen used home there really is
2:17 only one moment you can pinpoint the
2:20 cross streets
2:21 where a chuck is walking up to the front
2:23 door
2:24 and where i started my intro is right
2:26 over there you're kind of looking across
2:29 that direction and there is that cross
2:30 street
2:31 sign
2:32 this driveway is all brand new well
2:35 nuisance 82
2:37 this is the original driveway here
2:43 for the home and i have to wonder i'm
2:43 going to go up and knock on the door and
2:45 just see if the residents even know that
2:47 there was a
2:49 but there was a movie filmed inside
2:51 their house
3:00 okay no one answered the door
3:00 they did have a
3:02 couple of cameras probably know that i'm
3:04 here
3:05 or they'll
3:07 watch back their footage a little bit
3:08 later
3:10 so if they watch this back just know
3:12 that i'm just kind of here to document
3:13 the movie
3:14 i wanted to
3:16 just ask if they knew hopefully this
3:18 gets back to them and they
3:20 and they realize
3:21 because there's not a lot not a lot of
3:22 people realize that this is the home i
3:24 had thought if they were home just
3:27 maybe see if i get in the backyard see
3:28 where the chicken coop was the
3:30 possibility of even getting inside and
3:32 seeing if it still looks the same which
3:34 i'm imagining it does so because no one
3:36 is here or they're not answering the
3:38 i'm just going to do everything from the
3:40 sidewalk
3:41 and show the best perspectives but
3:45 that's where the
3:46 officers pulled up right here
3:49 on this cross streets so they added a
3:52 sidewalk there across this very
3:55 distinct looking island of grass there
4:00 was right here
4:01 that's where he kicked out the cruiser's
4:05 he was strong
4:06 but before all that happened there was
4:08 it's it's a rated r film there's a
4:10 there's a lot of it's a horror film
4:13 this lady here
4:14 met her demise up in that window you see
4:17 the mailman he went to call
4:19 call for help
4:20 but the window
4:22 is
4:24 right up there
4:26 that's the very window also where
4:31 chasing brian libby
4:33 kirby's the character of kirby jumped
4:35 off the side
4:36 of there but that is the same window
4:39 where quite a bit happens and that same
4:41 awning right up there and there is an
4:43 angle out the window
4:44 down over the shingles you can see the
4:47 mailman
4:48 and look at the cracks here in the the
4:50 concrete of the driveway as he's running
4:52 off
4:53 to get help there's cracks in the
4:55 concrete
4:57 of the driveway kind of ascending up
4:59 are still there
5:01 right there
5:04 just to get around the side of the tree
5:06 lens i'm not going to get the precise
5:08 angle
5:09 but he's got the axe she's attempting to
5:11 crawl out the window
5:13 to no avail
5:14 pulls her back in
5:17 as you can see there
5:19 there's the window there's the shingles
5:25 i'm showing this kind of a little bit
5:26 out of sequence but it's all it's all in
5:27 the beginning of the film
5:29 how terrifying is this how ominous is
5:33 see there's the sheriff
5:35 getting out right there
5:36 walking up the driveway
5:38 once again there is that little grass
5:40 island
5:41 over in the middle without the newly
5:43 added
5:48 just want to keep showing that that was
5:48 another thing when i was looking at
5:49 satellite view that clued me in that
5:51 this was the spot
5:54 you know besides the cross streets which
5:55 is only shown for one moment i'm happy
5:57 this is still here
6:19 and as he left off
6:19 went over into as stated
6:22 where
6:22 these facades were not here this was
6:25 just a grass area
6:27 where there was a bit of a scuffle
6:30 right over in here
6:32 quite a bit of a scuffle and the house
6:35 has been repainted
6:38 it's tough to tell really what's going
6:39 on in the movie it wasn't a family
6:41 member that he was going after or a
6:43 family i think maybe he was renting a
6:45 room
6:46 in like a like an apartment or a halfway
6:49 house or something like that
6:51 kind of confusing but it all went off
6:53 the rails after he was captured well he
6:56 eventually broke out spoiler alert i'm
6:58 not gonna give too many spoilers you
7:00 need to watch the film
7:01 but you can notice over here
7:04 this also has been repainted
7:06 that's where i kind of started from when
7:08 i was walking across the road
7:10 looks like someone's doing some circles
7:11 there in the in the road someone spun
7:13 around very quickly
7:16 but the
7:18 the car
7:22 broke the window out of the car
7:25 shattered the window out well not shadow
7:26 of the window but busted the door down
7:29 in front of the house
7:31 and then just
7:33 very
7:34 very impactful saint
7:37 a lot a lot of drama took place right
7:38 here might recognize this face from
7:40 animal house stephen first
7:42 who was trying to help
7:44 and
7:45 didn't work out too well
7:47 kind of sent a little
7:49 sent a bullet over that way which almost
7:52 almost got the sheriff
7:54 notice where he's standing he's got that
7:56 look of
7:57 well i just messed up on my on his face
8:00 but this is the pole here
8:02 in front of
8:09 and there's that light
8:09 our white's still up there won't be able
8:11 to get the proper precise angle because
8:13 i don't want to go back up in the yard
8:15 after i went up and knocked on the door
8:17 and rang the doorbell
8:18 and all that stuff there were a good
8:19 while
8:21 but the pole
8:26 that chuck is standing next to and
8:26 steven is standing next to is right
8:28 there they would have been on the other
8:30 side kind of where that little foliage
8:32 fence is
8:38 still looks as i'm
8:38 holding up the porch there or holding up
8:40 the awning and after the door to the
8:43 to the car was kicked in he tried to
8:45 escape
8:47 you could see the
8:48 excitement there
8:50 on the face that was
8:52 up on the porch pillars still look
8:54 designed
8:56 looking at the side of the home
8:58 there used to be a little porch area
9:01 kind of uplifted towards the middle
9:02 section of the side
9:04 where the camera angle
9:06 shows out at this home
9:09 next door
9:10 as shown here so the room he was staying
9:12 in
9:13 when
9:14 there's a knock on the door saying
9:15 there's a phone call it's his doctor
9:17 and he says he just can't he can't make
9:19 it he can't make it doc
9:21 that's when everything
9:23 really goes awry
9:25 that porch has been removed and up there
9:27 it does not appear as if the stained
9:28 glass window
9:30 is there anymore where the intro was
9:32 and it stayed stated across that stained
9:35 glass right before the big movie begins
9:37 and the credits roll
9:39 silent rage it was a real window that
9:41 window's been removed this is the
9:43 example of what it looked like
9:50 inside the real room where he is
9:50 laying down
9:52 would have been right up there in that
9:54 corner
9:55 and he had you know a bunch of clippings
9:57 and papers kind of taped and
10:00 put up on the side of the wall
10:02 that's when you know someone's mind's
10:03 not right when they have a bunch of
10:04 clippings i guess that's the way
10:06 production designer signifies that
10:08 someone is
10:09 kind of losing it when it's just like
10:11 clippings on the wall with some dogs
10:12 barking
10:18 a few more spots to go well quite a few
10:18 more spots to go to but this this was
10:20 the beginning scene and needed to be to
10:23 be shown right there
10:24 there it is the blu-ray vhs retro style
10:28 cover
10:29 in frame
10:32 norris in a horror film
10:34 who knew well i
10:36 i knew and a few few other people i know
10:38 have seen it but
10:43 it wasn't a blockbuster
10:44 it was one of the few
10:46 love making scenes that he ever did and
10:48 this that that scene the music over it
10:52 was a musical artist that you might not
10:54 realize even was a singer peggy
10:57 from buried with children katie seagal
11:00 was on the soundtrack
11:03 didn't happen in this half it didn't
11:04 happen in this house fact that house i
11:06 cannot find it i'll show at the very end
11:08 there's one or two spots i could not
11:10 find but this one i found and a few
11:11 others i'm gonna get moving
11:13 no one came outside i was thinking
11:15 someone would come out he's one of the
11:16 neighbors no one did
11:18 but it was not for a lack of making
11:20 myself completely obvious
11:23 that i am here
11:25 very very obvious
11:27 out here for a while
11:35 was a neighbor four or five houses down
11:35 paid no attention to me
11:37 and the one next door where that field
11:40 was now a home the driveway opened or
11:42 the
11:44 carport opened and then closed back down
11:46 they probably wonder what i'm doing but
11:47 they did not walk out to ask i was
11:48 hoping to talk to them but
11:50 didn't happen moving on also never
11:52 realized from the countless times of
11:54 watching that movie that there was a
11:56 there was a little incline here
11:59 because when the car pulls up
12:01 in the driveway
12:03 you see this but you don't really see
12:05 that this is here
12:06 you know this is the original kind of
12:08 lifting up section
12:13 i nerd out about
12:14 some of the most mundane simple things
12:17 this would be one of them
12:18 but this little grass island
12:21 is here
12:23 one quick last perspective here
12:26 before rolling on
12:28 oh
12:29 there's a carport closing again someone
12:30 else peeked out
12:32 to see
12:34 no one's been over to say anything
12:36 very concealed by these trees
12:46 i had a lot of screen grabs and captures
12:46 inside the home as well you know just in
12:49 case but no reason to really to really
12:51 show those
12:53 and across the way this house
12:56 which you see
12:57 from the perspective i just showed
13:00 is this home
13:07 very beautiful area just on the out
13:07 scout outskirts
13:09 of downtown dallas
13:11 and if you don't know who brian libby is
13:13 this was up in that room too
13:15 in that same house
13:18 been a lot of films shawshank redemption
13:21 played a supporting role in shawshank
13:24 kind of one of the dinner scenes when
13:26 they're in the dining hall and and
13:28 others as well from shawshank but
13:31 if i ever got to meet him i would
13:32 definitely talk about
13:33 this film
13:34 he did a heck of a job and was very
13:37 terrifying
13:38 all right
13:46 another interesting
13:46 fact about this area it said that norris
13:49 loved
13:51 this area so much he loved texas so much
13:53 that inspired him to create walkers
13:56 walker
13:57 texas ranger
13:59 of his time he spent here filming this
14:01 movie
14:02 pretty cool if that's true there's a
14:04 nice view of downtown
14:06 right over in the distance there
14:08 downtown dallas
14:11 going past downtown to the next spot
14:13 like go around downtown by looking
14:16 closely on the horizon you can see the
14:18 skyline of downtown
14:21 south central expressway
14:23 is where i'm standing and in this very
14:25 spot
14:26 was the little diner
14:28 restaurant where they had lunch
14:31 and first encountered the bikers the
14:33 very rude bikers
14:35 they later on would
14:37 well i'll show you this i'll show you
14:39 what happened a little bit later on but
14:40 this is where they first
14:42 met them and had their lunch
14:48 right behind me as windy as it is audio
14:48 is going to be horrible trying to match
14:49 these up
14:50 outside so i'm doing it looking out my
14:53 car window
14:54 out of the elements because it is very
14:56 gusty out there but notice
14:59 where they are pulling out this
15:01 this took a while
15:03 to kind of get the coordinates of a lot
15:05 of days and weeks on street view of
15:08 everything around dallas
15:10 to eventually find this building here
15:14 and this is what clued me in
15:17 this building still exists
15:19 right here notice the awning
15:22 that is there and the shape of the
15:24 building
15:26 and that was the clue that was the big
15:29 clue because that still exists
15:32 right over there
15:34 the name of the building is a little bit
15:35 different but that awning
15:39 and the archway
15:41 or the design of the roof line
15:43 still the same
15:53 so i'm in the spot from the diner and as
15:53 they're leaving in the bronco
15:55 there's a power pole there and you can
15:57 faintly see
16:00 off in the distance
16:02 as well that's another
16:04 indication
16:05 that this is the spot
16:07 there's that power pole and downtown
16:10 dallas
16:11 way off
16:13 over there
16:25 it's a pretty good motivational speech
16:25 that happened between the two friends
16:32 right here in the spot as well
16:32 not as much gravel in this section as
16:34 there was then it's all kind of a grass
16:36 area now where i'm about to pull out
16:39 onto the road is still gravel
16:41 but not as much gravel as there was
16:44 back in 82
16:46 and you don't really see high enough in
16:48 the frame to see that water tower but
16:50 this is the angle as shown here
16:53 kind of giving a
16:54 kind of a scowl on the face as they
16:57 as they pull out onto the road
17:00 and looks as if he got two
17:02 hamburgers norris walked down and
17:05 ordered his without onions and then he
17:07 asked if he could have
17:09 he could have his uh
17:11 his partner's onions the sheriff's
17:12 onions
17:13 this is what it looked like
17:15 back then
17:16 there is as i was kind of walking around
17:19 over there there is no foundation left
17:22 but that is the spot
17:26 that power pole behind there was a
17:27 couple other buildings over where this
17:30 kind of utility power pole antenna thing
17:33 is now
17:35 that building was right there
17:37 probably an active diner at the time
17:40 but you know that's been
17:42 back in 1982 which would be
17:44 39 years ago
17:47 things have changed
17:49 and now heading north of the city i'm
17:52 gonna go about 15 miles from this
17:54 direction
17:55 past downtown
18:04 it is a bummer when things get bulldozed
18:04 and torn down you know progress needs to
18:06 happen
18:07 but the wodley institute of molecular
18:11 medicine
18:12 this building here is gone
18:19 however there is a glimmer of hope
18:19 even though a lot of the interiors
18:21 according to some sources were
18:23 took place inside those
18:26 buildings there's this
18:29 unusual building that still remains
18:32 off to the side
18:35 now where
18:37 when i'm thinking where the interiors a
18:39 lot of the interiors took place in that
18:42 wadley institute
18:44 that is gone right there
18:46 now a parking area and
18:49 kind of off limits
18:50 to the general public
18:52 there is
18:54 this building which i am very excited to
18:58 state
18:59 still exists
19:07 research row and widely
19:07 lane look closely on the behind the
19:09 reception desks in the lobby which i'm
19:11 going to go into momentarily
19:13 there when i was kind of like going
19:15 frame by frame i noticed
19:17 do they have a photo of the real
19:20 on the wall and they do
19:23 because take a look at that
19:25 that
19:26 is the same
19:28 very building
19:30 one of the ones that was not demolished
19:33 and an important piece
19:35 so i'm gonna go walk into that lobby see
19:38 if that elevator's still there here's
19:40 another moment when he's kind of
19:41 consoling her telling the
19:43 security that he's going to take her
19:44 upstairs
19:46 before they walked into
19:48 the little lobby there
19:50 you know there's a lobby anymore
19:53 they walked along this
19:55 very section
19:57 as well
20:07 oh my goodness
20:07 the elevator is still there
20:10 holy cow
20:13 wow are these the same buttons this is
20:16 pretty wild
20:17 so right there's the elevator there's
20:19 the reception desk
20:22 oh man
20:24 reception desk has changed
20:26 elevator this is where the car so the
20:29 door opens and the guard
20:31 had his head his head is like
20:33 kind of smashed in he's like not had a
20:36 good time
20:37 because of kirby
20:39 you know because this is this is where a
20:42 lot of the action took place
20:48 okay i'm kind of like losing it a little
20:48 bit this still exists
20:50 so this is behind this is where the
20:52 photo was
20:53 now it's been replaced with this flower
20:56 arrangement piece of artwork
21:04 wow into the stairwell
21:04 oh yes
21:06 it's still the same
21:08 oh my
21:10 goodness the same railings
21:17 okay i just went off of a hunch thinking
21:19 that they
21:20 who filmed this in here
21:22 past the lobby area elevators over there
21:26 and i was thinking they used the
21:27 interiors here of this staircase and
21:30 they did it's the same check this out
21:34 how cool
21:36 is that
21:39 right
21:51 and before leaving i do need to
21:51 check the elevator and just see
21:55 kind of what it looks like here
22:02 okay it does not look the same had a
22:02 helmet like a carpeted
22:04 floor
22:06 there it is wow
22:09 i'm just beside myself right now this is
22:12 too dang cool
22:14 all right go outside
22:22 just talked to one of the workers
22:22 explained to her and showed her some of
22:24 the screen grabs she had no idea
22:28 she had no clue
22:36 now following this back out
22:36 there was quite a bit of a
22:39 an action-packed sequence
22:41 right up there in that top
22:44 and i did ask if it still looked the
22:46 same
22:47 kind of had some wood paneling
22:49 and she kind of alluded that i wasn't
22:51 really supposed to be in there i'm not
22:53 supposed to go any farther past the
22:54 first level so
22:55 not gonna get up to the top however
22:59 the third window over
23:03 was where kirby was
23:08 well the stunt stuntman
23:08 went out of the window
23:10 and you assume that he has met his
23:12 demise
23:14 john kirby
23:20 fell right here in this very spot
23:20 but he's indestructible you know science
23:23 made him
23:24 completely indestructible and only chuck
23:26 norris
23:27 can destroy him here is that frame
23:30 as the glass from the window is busted
23:34 thrown out
23:41 very reminiscent to loomis
23:41 and myers at the end of the first
23:43 halloween
23:44 in fact the amount of times
23:46 that the weapon was discharged the
23:48 same a lot of a lot of similarities as
23:52 far as the camera work goes steady cam
23:55 throughout the course of this you gotta
23:56 you gotta see it if you're a fan of
23:59 you know that genre
24:01 i just love it you know the fact that
24:02 you know it's just so quirky that an
24:05 action star like that would take on
24:07 that genre
24:09 but there it is right up there and i
24:10 want to back up and show you something
24:12 really really interesting
24:14 all these years later there is a memento
24:18 of the past they never
24:21 properly fix the window
24:24 to match up
24:26 with what the other windows look like
24:39 right there third one over notice a
24:39 distinction
24:41 that's the window that was busted out
24:43 what the heck
24:46 that's the kind of stuff i love right
24:48 have however done a little renovation
24:50 here to the side of this curb
24:53 so this part is original but this has
24:56 been changed
24:57 since those years
24:59 and there he lays after
25:01 plummeting
25:03 i'm up there
25:24 it's not over though like i said he's
25:24 indestructible
25:25 he gets back up to get just a little
25:27 more technical
25:37 they roll around on the pavement
25:37 and then over towards this little grassy
25:39 section
25:40 and the vehicle was parked
25:42 underneath that awning
25:44 right over there so there was quite a
25:46 bit of a fight
25:48 that took place
25:49 right here
25:54 then the female lead
25:54 got behind the wheel
25:56 of the vehicle
25:58 and basically plowed right into him here
26:01 right about that angle
26:03 action-packed one of the fun things
26:05 about doing this
26:07 it's almost like you're doing a little
26:08 bit of detective work when you go out at
26:10 some of these locations
26:12 you just got to think that most people
26:14 probably don't even realize
26:16 the movie history and the fact that
26:18 something like this took place even
26:20 people who work here
26:21 or
26:23 live in the area that pass by this
26:25 building all the time
26:27 but that took place right here
26:30 standing
26:31 right in this exact spot
26:34 and they cut over to another scene
26:36 because when he latches on to the back
26:38 of the bronco
26:39 and drives off it looks nothing like
26:41 this it's to another area which i'm
26:44 clueless on so that's
26:46 you know can't find everything but
26:48 i found a few things that hadn't been
26:50 found which i'm pretty excited about
26:52 especially the fact that that window is
26:54 noticeably different
26:57 that's the one that nordis is looking
26:59 out of with the shards of glass
27:01 around it it's kind of like looking down
27:05 to see if
27:07 the conclusion was what he thought it
27:08 would be and then he walked down and
27:10 discovered
27:11 it wasn't
27:12 he's still alive
27:14 now gonna commute to about 20 miles west
27:17 of here
27:22 the outskirts of dallas
27:22 technically into arlington
27:26 for the last spot another one i'm pretty
27:28 happy
27:29 that still exists well
27:31 kind of sort of still exists but it has
27:34 been found
27:42 kind of like this one
27:42 man this is so much fun
27:57 anyone that's seen the movie including
27:57 myself
27:59 over the years you will always have a
28:01 few key elements and a few key moments
28:04 that stay etched in your head
28:06 one of which is a scene involving at
28:09 least a dozen or more
28:12 bikers versus it was a fight scene
28:15 versus one man
28:16 and you guess who that man is by
28:19 himself
28:21 took on
28:24 a whole a bar full of very
28:26 very mouthy rude
28:29 and he sent his partner outside to go
28:32 wait in the car
28:33 and he just handled it himself and i'm
28:36 here to report that right here
28:38 was where that bar was
28:42 corner of
28:43 canter
28:45 drive
28:46 and north
28:47 collins
28:50 there was only one clue one indication
28:53 that i was able to utilize
28:55 to pinpoint that this was the spot
29:02 probably one of the greatest
29:02 bar brawls
29:07 i've ever seen on film
29:08 unforgettable
29:10 happened right here the only clue the
29:12 only indication i had to go off of
29:15 was this little
29:17 building here called al's hamburgers
29:21 once i deciphered this spot i then
29:23 realized my satellite view this
29:25 apartment complex over in the distance
29:27 is still there even though
29:30 this rv lot is now a
29:32 basically a strip mall of some sort and
29:35 you can see that canter
29:39 was just being built
29:40 there was no road by the name of canter
29:43 it was under construction they did a
29:45 u-turn right there in the bronco in the
29:48 middle of the road
29:52 on north collins in fact
29:55 now that i'm standing here and i have
29:57 the match up
30:00 the street lights down there are still
30:02 the same and there is another
30:05 shopping center off to the left that can
30:06 be seen in some of the frames pay
30:08 attention to the back side of those
30:10 lights
30:11 angled there
30:13 where the motorcycle goes out the window
30:16 now this awning has been removed
30:18 but
30:19 those are still there
30:21 even modern day
30:22 as i kind of zoom in
30:24 you will see them as they come into
30:26 focus
30:27 there they are
30:29 the back side of those
30:35 street lights that awning's gone but the
30:35 little
30:36 little strip development
30:38 is still there
30:41 this was a toughy i'm going to be honest
30:42 was no indication anywhere online that
30:45 this place ever existed look at the sign
30:47 called old blues bar now the trees
30:51 most likely are not the same trees they
30:54 have probably been replanted by this new
30:57 business that now
30:58 sits here but that's the same general
31:00 vicinity the motorcycle went out the
31:02 window very dramatic
31:04 and went past the tree
31:06 and what i was showing one of those
31:08 screen angles kind of looking down that
31:11 way the only
31:13 way i was able to even figure this out
31:15 was that al's hamburgers which was the
31:17 first of three spots there was a second
31:21 they moved from this one over here
31:23 where that restaurant on the corner now
31:25 sits
31:26 they move down collins a few blocks and
31:28 now they're in a third location finding
31:30 the address of this one took a little
31:32 scouring but
31:34 figured it out
31:36 and this is it
31:38 with the original al's hamburgers
31:43 the bronco pulled up
31:45 right along that section
31:47 pulled in
31:49 past these trees
31:51 and right to the front
31:54 of the old blues bar
31:56 and they walked in yeah i'd love to say
31:58 that one of these is the tree
32:00 but in fact you know the 1982 a lot has
32:05 changed since they demolished this whole
32:06 area probably not you know it's been
32:08 they've been replanted but that's the
32:10 angle this would have been their view as
32:11 they pulled in the parking lot
32:16 in that vicinity
32:23 i feel like i've watched watched the
32:24 film so many times
32:27 feels like it still exists here it feels
32:29 like it's still here
32:31 i'm waiting for the
32:33 i'm waiting for that motorcycle to come
32:34 crashing through a window
32:36 of course this is a little more offset
32:39 from the road
32:40 i don't want a motorcycle to crash
32:42 through those windows pretty dramatic
32:44 stunt
32:45 in all honesty had a wire attached to
32:48 him
32:49 so that the the stuntman stayed inside
32:51 the motorcycle
32:53 busted out there and then the
32:56 landed the motorcycle landed right here
32:59 in this very area
33:05 also there's an apartment complex across
33:05 the way there
33:07 and there's a car wash but there used to
33:09 be a mechanic shop
33:11 and you get the reaction of the deputy
33:14 you can also see how this is elevated
33:16 where those stores are across the way is
33:18 kind of dipped down a bit which is where
33:20 his reaction view
33:22 was shown here kind of like look at
33:24 looking at his face the surprise let's
33:26 see how the road is on normal level and
33:28 then it kind of dips down you can even
33:30 see how that jeep is going kind of up
33:32 and down just like it is still modern
33:34 day this is where the car wash is now
33:36 was a mechanic with an awning of some
33:38 sort if you look back here see the roof
33:41 lines of these apartments off in the
33:44 distance those are still there
33:48 to this day
33:55 right over right over in that area
33:55 we'll kind of zoom in as you kind of see
33:57 him a little better
34:02 corner of north collins
34:02 and canter drive
34:10 bronco pulled up right here
34:10 al's hamburgers would have been right
34:13 there are the roof lines of those
34:15 apartments i was mentioning
34:16 off of the distance they are now
34:18 obscured obviously by my new buildings
34:22 because that's
34:23 that's them
34:25 it's his reaction right here front door
34:28 would have been located right here
34:34 so if it still existed
34:34 walk right in to the door
34:40 and see this
34:40 had taken place
34:46 there he is admiring his handiwork of
34:46 taking on a dozen
34:48 dozen men
34:50 and besting them
34:53 and the deputy walks in
34:56 who had been outside
34:59 not lending a hand
35:09 all of them scattered right here along
35:09 the ground
35:15 and the deputy said
35:15 want me to read them their rights
35:18 we wanted to do these spots for a long
35:20 time
35:21 that's something that's been on my radar
35:22 and i'm glad i was able to accomplish it
35:25 after the outro i will show a couple of
35:28 the spots that i wasn't able to find a
35:29 little homework assignment for anyone
35:31 that's interested always like to just
35:32 kind of throw stuff out there
35:35 this is not the end-all it's kind of
35:37 good to have other people with you know
35:39 the same mindset the same kindred
35:41 spirits that like to go out and
35:42 you know do this stuff it's a it's a
35:44 it's a small niche
35:46 not everyone is into this but some
35:47 people kind of have that
35:48 that little weird tick in the brain
35:50 where they want to go and see where
35:51 everything
35:52 was filmed so i will show a few spots
35:54 that i could not
35:56 designate but i feel like i did a pretty
35:58 good
35:59 pretty good amount of stuff that had
36:00 never been shown before for that i am
36:02 very content that's gonna do it for
36:04 today i'll see you in the next video
36:07 check it out silent rage chuck norris
36:10 guy from shawshank
36:13 a good movie
36:14 the director stated that he was going
36:17 for a frankenstein vibe but i get more
36:19 of a
36:20 michael myers vibe without a mask
36:23 obviously you'll see what i mean
36:25 if you ever watch it
36:28 see the next video the vlog by the way
36:29 it's rated r keep that in mind if you
36:31 watch it or anyone that you recommend
36:33 watches
36:35 vlog
36:36 it's over
36:37 couldn't find this overlooking the lake
36:40 seeing her home
36:42 we got
36:43 shirtless norris
36:45 couldn't find this
36:47 which possibly could have been what was
36:48 torn down at the molecular
36:51 center
36:52 it'd have been neat to see the tunnels
36:54 also
36:56 the well
36:57 at the end
36:59 yeah that's still a mystery
37:01 that's a big mystery
37:03 and this home
37:05 which you can see him kind of like
37:07 taking off there not being seen
37:10 very unique house that
37:12 i would have liked to have discovered
37:14 no indication
37:19 on that one
37:19 or that one
37:20 this one really gives me this this whole
37:23 this whole moment here really gives me
37:24 the original john carpenter halloween
37:26 vibes with the
37:28 the steadicam
37:37 science created him
37:38 now chuck norris
37:40 must destroy him