An Extensive Twin Peaks Filming Location Tour - Inside Laura Palmer House / Fire Walk With Me & MORE
Twin Peaks Filming Locations
Transcript
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welcome everyone Adam the Wu here has a
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recording of the Saturday February 11
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2023
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I'm a little north of Seattle in the
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Pacific Northwest
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this house might look familiar to anyone
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who has seen Twin Peaks
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today I'm going to focus on the filming
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location Ryan is here as well you are
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quite the Aficionado of everything Twin
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Peaks I'm a casual follower but I have
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seen
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fire walk with me and I have seen the
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pilot episode and some other stuff over
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the years so we're going to go to some
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of the locations
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Donna's house is right here which was
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used in the pilot episode and firewalk
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with me and this local area here as well
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and we can't spend too much time here
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because we are going to be able to go
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inside the Laura Palmer House which is
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just a few blocks from here
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and we're going to meet up with the
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owner
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and go inside we want to show this first
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I'm inviting you to join me shall you
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nailed it wasn't expecting you to do
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that that's awesome okay one thing I'm
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noticing is a lot of the trees see the
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very unique kind of bigger trees that
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are down next to these hedges
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front of the house where Laura Palmer's
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walking here a lot of those trees are
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gone now and they've replaced them with
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smaller trees
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so the pilot was in 1990 what was fire
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walk with me
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92 so two years later
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here's like a little screen screen grab
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from fire walk with me when she's
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walking past that tree line you see it's
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changed considerably the house has been
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repainted it was like a beige in the
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show but the stairs would still look the
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same here
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or Donna walks right out down the
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staircase as shown here you can kind of
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see what it looked like then
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during fire walk with me
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also back then there was a fence between
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the two yards look the camera was kind
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of low down kind of like waist level
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when both of them were standing right
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here and as stated Laura's house is
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probably about a quarter of a mile third
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of a mile away from here
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so I guess the continuity kind of
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matches up a little bit they were in the
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same neighborhood
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all right we're gonna head over there
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now
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go inside Laura's house which I know
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you're really excited about I can't wait
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this is pretty awesome they're gonna let
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us in there
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should we take the rental car should we
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walk should probably we should probably
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drive over there so we got to be there
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in like two minutes all right made it
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over to the corner of 33 then
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tulip
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Tulalip Ave
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now the very last scene of season three
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season three came out two decades later
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25 27 years yep uh 25 26 years later
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after the end of season two
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and the Very spoiler alert the very
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climactic ending scene
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took place out in front and
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inside this house well at least the door
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was open
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for that ending scene from season three
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and the homeowner was in the show
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she's the one that opened the door
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I played Alice tremend
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they stood right out here
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and Laura had no idea
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what this house was she had lost memory
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of it till the end and she let out that
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blood curdling scream yeah that scene
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that's the same hedge
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right there
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it looks so different when you're here
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in person I think there was a bigger one
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too
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yeah she like laid right here
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they also film quite a few Interiors in
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here and the pilot
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and also firewall with me and then
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season three is quite a lot of they
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remodeled it a lot since the pilot as
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well but we'll be able to match a few
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things up
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yeah so we got a hold of the guy he came
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out that night and he said there's going
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to be a director from Hollywood coming
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out well I didn't think it'd be David
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Lynch because David Lynch was basically
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just going around to all the tweets
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those types of things
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um and I didn't think he I you know I
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just thought he'd send somebody so like
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he goes around January or so uh he's
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gonna show up so it was January 1st wow
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only David yeah so it was January 1st
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and then it was him and Sabrina and
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um Scott Cameron who's his first ad yeah
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and they came in and he just walks in
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and the first thing he's all about
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Aesthetics wood trees all that kind of
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stuff he just walks in and he goes wow
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they don't make him like this before and
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he was just David lynchey you know but
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this is basically
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um we kind of kept it as close as we
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could I mean some guy came in
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and the first thing he looked at was the
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radiator because you can see that in
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fire walk with me oh really so you walk
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in and when
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um Laura comes walking in and her mom's
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here and she's got the groceries and
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stuff that you know yeah so they came
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they uh they filmed in 89 and 19 late
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80s early 90s the lady that lived here
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never allowed people in the house so
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it's like no one had ever seen this so
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you could this all looks familiar I mean
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over there is where Laura was standing
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with the cigarette and her drink and
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Donna came in through what's the quote
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if I had a nickel for every cigarette
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your parents smoked I'd be dead yeah
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the camera's facing we're kind of where
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we're standing right the camera was
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facing this way I think yeah and I've
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got a picture I got a picture of the
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actual screen looking this way but so
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what they had to do is they had to clear
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out this room
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and they had to put um
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cardboard down and then put gold carpet
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so they made the whole room look like
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the pilot yeah those are set Crews
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they put those in for season three
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because Sarah's just sitting here yeah
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see the nicotine stains those set
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curtains those are set curtains so what
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they had to basically do is they had to
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paint the wall Pink
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and then nicotine stain everything in
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the room the radiators the crown molding
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everything picture and stabbed it
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remember oh yeah right now yeah it was
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right here supposedly that's where like
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if it wasn't uh filmed in Hollywood
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that's where Maddie's
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Maddie had her final Glover yeah yeah I
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filmed that here too no they didn't but
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they made it that's what they did is
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they they went to Hollywood so the pilot
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was filmed here fire walk with me yeah
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in fact the funny thing when I watch
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fire walk with me not too long ago was
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um when you're sitting in Laura's room
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they filmed her room though some scenes
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were filmed in that room but they filmed
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her room at
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um in Hollywood but as soon as you open
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up her door and look out into the
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hallway it's my hallway yeah David Lynch
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comes so all of a sudden I'm standing in
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there just doing my thing and he comes
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walking in
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and he goes he goes are you an actress
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and I said no and he goes have you ever
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acted and I said no and he goes would
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you like to do a small part in the movie
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I go sure it's mine so they had to give
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me another picture so I had Cheryl sign
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it oh they took that one that you had
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here right the one that I had and I go
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you guys don't make sure so yeah so she
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I had her sign that for me wow
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yeah I took looking at it from this
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angle definitely looks okay right here
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this is what you're looking at so
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there's the house back in 92.
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and then that's exactly where you're
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looking this is 92 so that would be more
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fire walk with me and I think it was the
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ladies furniture
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because when they were in Monroe he
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filmed there for a couple weeks decided
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he didn't want to use that other house
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but it was weird it was weird about a
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week ago because all of a sudden you
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have to you have to wind this
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and you have to change the needle for
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each record because the records are huge
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and they're really heavy but you have to
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wind it to make it like do a whole
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record and all of a sudden just standing
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here and all of a sudden I can hear
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the record player was just going and it
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scared them
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so I had
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oh my God
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I know and you know what my joy is
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seeing the re the response of people
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when they
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replace the ceiling fan right not the
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same ceiling fan it's you know the base
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is the base of the fan is it's just the
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lights that were taken down to Hollywood
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so those are different lights but the
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base of the fan is still the same oh my
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gosh I know you want to get I know you
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want to get a peek there
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you want to go see Laura's room yeah
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okay just be really super careful as you
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can see these are kind of like narrow
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okay
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yeah turn in that corner and see and
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that is so true I know I've had
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cry I could I mean I'm actually gonna
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write a book with just about fans
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the fans like you know it's
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it's crazy so this is the landing Laura
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was standing on missing pieces where she
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looks up and her face is contorting the
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fan you remember the fan it's talking to
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her it's like
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and her face starts is that in season
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three no that's a missing pieces oh
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gotcha okay her face starts contorting
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like it's entering her body and then her
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mom is standing right down there where
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those pictures are she goes Laura have
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you seen my blue sweater and Laura goes
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mom you're wearing it
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and that pulls her out of her trance
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kind of
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so I haven't watched missing pieces in a
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while it's fire walk with me are they
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are they cut into the moves it's like
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four hours but it makes all the
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difference in the world I bet yeah I've
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only seen that once or twice yeah Cheryl
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just did a um
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so that's the original screen use base
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right there the base of the fan yeah and
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the blades and Blades it's just the
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lights that they took
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they didn't take so that's the original
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blades yeah wow
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really
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really so it's got cobwebs hanging on it
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you see him
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see yeah oh wow yeah look at that
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you know people are you scared to stay
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there and I'm like oh this is I mean but
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I can understand at first I was
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to be honest but I mean when I think of
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the show I think of the staircase it's
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like definitely one of the pivotal
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location yeah Laura going up and down
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the staircase and Sarah too coming up
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here because she goes here and then she
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goes down to this room to look for her
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and I got that uh her voice like the
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tone lowered and slower slowed down yes
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Sarah's room and then he actually does
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come out and flip that switch on yeah to
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turn the fan on but isn't that isn't
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that creepy I just thought oh good I
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don't have to dust that
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yeah he turns that down he gives her
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that milk isn't that weird because
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everybody walks in I did the same thing
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I walked in and I looked up at the fan
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and I thought wow that's really
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different but you have to do your angle
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you can see it from it's about probably
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three or four steps up because most
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people don't realize there's a landing
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right there I never knew that this yeah
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at all I thought it was just nobody does
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but she has to be standing on something
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when it's unbelievable
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check
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wow I gotta show I guess I'm just gonna
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show that over here
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so basically her bed that that big
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dresser wasn't there it's terrifying
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yeah I know it is that's I love it her
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bed came out that way yeah the dresser
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was here
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and what I tell people is I bet you
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don't realize
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that hurt like I took a picture through
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the curtains and I said Laura can see
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Puget Sound oh yeah this is her view
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so things weren't that bad right you
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know I mean
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yeah and the pilot
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Leland's sitting on the bed with a
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pillow right
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he's like her diary do you have to take
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this when she was here I actually
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brought her up here
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she was here and I said Cheryl can I
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to your room and
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that's fine and I go because she's
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it was hard for her like someone asked
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her what is what is your best kiss in in
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Twin Peaks and she goes none of it
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um
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as soon as I put the picture in the
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frame it cracked
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there's a crack right there see
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as soon as I did that and I thought oh I
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gotta change it and I go no if it
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cracked there was a reason it cracked
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you know that's that's David Lynch yeah
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happy accident yes and then he also did
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uh scribble art of Laura and then a girl
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who came here to watch fire walk with me
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did that picture and that's her laying
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on the couch at Donna's yeah faster and
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faster so Laura does actually go down
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out this window
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um down a trellis oh this is the window
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I was wondering if that was this is the
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Bob window right here but she goes down
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the trellis hides behind a bush when her
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dad is coming up the stairs that's the
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window Bob comes in
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so for Halloween I put Bob in the window
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yeah
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yeah I don't know if they're maybe
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fixing up the beach or maybe they're
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worried it's going to get taken out are
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you serious it was it was probably 50
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where Pete martel's out and he's like oh
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I want some Foghorn and he turns your
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log was right here the log was right
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there and I was like what and they moved
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it yeah my car is right there
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so he would have been standing right in
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front of my car when he said what year
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is this yeah but there was like
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all those people out there and I go what
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did they do with you did you did they
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move you up the street or what he goes
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no they moved us up a couple feet and
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then I think they just CG item out so I
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was standing there there's about a
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hundred some people over there and
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people were having parties and they had
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to send a notice around all the people
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that said
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there's gonna be filming someone's going
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to be screaming don't call the cops
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seeing Bob through the mirror yes can
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you see him right there
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and I'll be honest I I live here but
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sometimes I'll leave that door open and
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forget
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and you can just see that presence
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standing there and he's tall too that
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mannequin is like Laura you've got dirt
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on your fingernails wash your hands oh
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we can sit down but not a one of us is
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going to eat until Laura washes sir
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so this is the the kitchen here is
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exactly the same as it was it's just
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then redone so the cabinets are the same
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the island is the original Island so
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this is the original Island my X1 and he
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goes let's pull that out and put a big
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no no no we're gonna keep that and this
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is the exact style and color of the
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phone that she used when she was
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oh right smoking a cigarette yeah so I
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actually have little cigarillos in there
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in case anybody wants to do like so I
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had one girl do the whole
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Sarah Palmer
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Palmer is great oh really yeah yeah wow
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she was good
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so so a fire walk with me this is the
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island this is in the original one it
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was like a little different right
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basically yeah so basically the top was
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a little different someone was smart
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enough to do this oh my goodness got
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this Captain Crunch everything in here
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like seriously is the same maybe like
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the appliances are different but yeah
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and there is really only one scene in
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here that's where she's standing
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you know she gets the news on the phone
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you guys want my daughter made these are
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so good chocolate chip cookies but look
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at the size of those things
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that's amazing
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yeah this is uh so this is in the screen
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use phone this is just a similar phone
16:38
that looks exactly exactly yeah and then
16:41
this one in here I'm really into old
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phones so this one in here is typical
16:45
and then the green dish like so this is
16:48
all set up the way it kind of was
16:51
without it being maybe she's with Leland
16:53
no I bet that's it yeah yeah you know
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do you want to stand there act like
17:00
you're smoking a cigarette what's the
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phone it's funnier when guys do it
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you know the lines because she's like
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have you seen Laura
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oh it's up like this yeah there you go
17:14
maybe she's with Leland yeah I think
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she's probably with Leland
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I'll call this cool
17:21
that's good that's awesome okay so you
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were the you were the second best
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that's where she does the stream too
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right on the phone yes
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you know when she was here too she like
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made the hair in my arms just She's
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creepy she's she's about that tall
17:40
and she just came walking through the
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kitchen there was a tent outside where
17:43
they had coffee and like you know treats
17:46
and stuff and she just went walking
17:48
through the kitchen she was in character
17:49
when she was here because she had a film
17:50
right away when they when when they're
17:53
filming they film and they leave okay
17:56
they don't hang around
17:58
so she had to do her filming that night
18:00
and everybody had to leave the house
18:01
nobody else had to leave the house for
18:03
anything else but when she was in the
18:05
living room watching the video with the
18:07
I got to stand in here because the sound
18:09
guy was right here with his computer so
18:11
when they're filming there's like 30 or
18:12
40 people in your house
18:14
constant coming in going out
18:17
um David and Grace were smoking out
18:19
there
18:20
which is good though come sits perfect
18:23
so this is the Palmer dining room right
18:26
here and this is a poster from party
18:28
teen
18:29
we had a girl from Ireland paint that
18:32
for us
18:33
along with that picture of the house
18:35
over there
18:37
you ever notice that your house looks
18:39
all kind of similar to The Nightmare on
18:41
Elm Street house yes there you know what
18:43
it is it's they're both Dutch Colonials
18:45
yeah very similar
18:48
so this is all just Twin Peaks fan stuff
18:53
you know people making stuff this
18:56
um these this is my ticket to the
18:58
premiere
19:01
I've given away a lot of stuff but
19:03
there's people that just make a bunch of
19:05
stuff and so this is the turkey jerky
19:06
and Zoe McLean signed that so the
19:09
actress that
19:10
that actually filmed that it's a night
19:12
light it says welcome to Twin Peaks
19:14
Isn't that cool that is neat this
19:17
magazine just recent right uh a couple
19:19
years ago okay Cora upstairs did me at
19:22
the door
19:28
I thought he did a good job
19:28
the girl wrote a book that this one
19:30
right here
19:32
and took that picture
19:34
so this is basically interviewing so
19:37
it's like how did Laura's trauma impact
19:40
you as a person
19:41
and there's like
19:44
the people in here that that have
19:47
um stories
19:50
you know to me it was really surreal
19:52
like you're in your own home yeah and
19:55
the ending the last four minutes I mean
19:58
I'm like
20:01
five minutes left
20:03
so all of a sudden I can see him he
20:05
makes it look like
20:06
like this house is five minutes from
20:08
Tweeds so he goes over the bridge and
20:10
all of a sudden he's in this
20:11
neighborhood it's like an hour and a
20:13
half away
20:15
and this is the TV that's now in that's
20:17
my TV same TV it looks bigger here
20:20
though doesn't it it does
20:26
yeah it does there's Sabrina Sutherland
20:26
David would be right here
20:28
um Ruth deshong is the she's in charge
20:31
of all the sets so olali
20:34
um everything everything that happened
20:36
she's in charge of all the sets
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and this is probably the time I know it
20:41
was cool
20:42
there's the Big Green Tree this is the
20:44
only bad thing in the whole thing
20:46
because it was dying it was from
20:47
California and it is shedding everywhere
20:51
it just stunk it had a kind of like
20:59
Michael horse nice great great guy so
20:59
this is when they dropped off the Twin
21:00
Peaks car they brought in up 10 things
21:02
so this was just right before they they
21:04
uh did Hawk scene
21:06
so there's all the dead grass the dead
21:09
bushes I've never been there
21:11
and he goes I've never been invited so
21:13
you can hear me in the background going
21:14
well you're you're invited anytime you
21:17
come in and have some wine and whatever
21:18
I didn't realize that was on the behind
21:20
the scenes oh cool that set is worth it
21:23
just for the interviews
21:26
and then this is a front and center of
21:28
what it looked like
21:33
they covered the good grass with bad
21:33
grass
21:35
it's the whole lawn the whole front lawn
21:42
love that picture of him I just think
21:42
he's drinking some coffee such nice damn
21:45
good coffee
21:47
everybody was so nice I it was just a
21:50
one it was great so this is how your
21:52
lawn normally is and that's how it is
21:56
and it didn't look that way when they
21:58
yeah I mean they transformed everything
22:00
back right am I
22:03
Cameron Sabrina
22:14
too yeah yeah uh Ruth DeJean
22:14
yeah so these are all and again
22:20
uh and they're they're just starting to
22:22
put the bushes in this chair and this
22:24
chair doesn't belong in this house
22:25
because I hate this chair but it's got
22:27
coyote
22:29
so
22:32
he's just sitting there this is this is
22:34
him right before he does a scene look
22:36
how
22:37
calm and Collective he is he looks like
22:40
he looks like Cooper and he's talking
22:42
about his wine and the Mariners and oh
22:45
no that's great you can see the
22:47
cardboard they placed on the ground yes
22:50
the buffet so the table was right in the
22:53
middle Laura would would have been
22:54
sitting there by that door Leland would
22:57
be sitting here
22:58
Sarah would always was at the
23:01
the head so if you can imagine this was
23:04
the yeah and then when I watch fire walk
23:07
with me this is just a funky little
23:09
thing that the doorbell box yeah up top
23:13
that's the original doorbell box so my
23:15
ex yeah because when you're watching
23:17
I've let people watch the the dining
23:19
room scenes here and they're looking
23:22
exactly where they're happening you know
23:24
and you can see that doorbell box so my
23:26
ex goes oh well I redo the kitchen you
23:28
want me to take that out and I go no you
23:29
can actually see a figure just walk by
23:31
so he's real big on um
23:33
oh the other the other thing he told us
23:36
to do too the only other thing he
23:37
directs you on is like Lost Highway
23:39
you've seen that oh yeah okay so when we
23:41
were practicing outside he said okay
23:43
Kyle you start your line Mary you follow
23:45
him so Kyle says something and I
23:47
answered it right away and goes no you
23:49
wait 10 seconds that's why it seems
23:51
pause you can see goes and what is your
23:54
name yeah and I'm just staring at him
23:56
because look at isn't that intimidating
23:58
yes yeah when your eyes are great yeah
24:00
when you're just staring like because
24:02
you can edit time out but you can't edit
24:06
time in and it creates anxiety yeah When
24:09
You're Expecting somebody to answer and
24:11
they're just staring at you it's not
24:12
because they don't know their lines it's
24:14
because like Lost Highway with Bill
24:15
Pullman and the creepy dude
24:18
he goes I'm in your house now yeah the
24:20
guy Robert Blake yeah and then Bill
24:22
Pullman's just looking at him kind of
24:24
like that's creepy well I like when that
24:27
I find it creepy too he's like when
24:28
you're like Whispering off camera yes
24:32
that was my ex so I tell everybody my
24:35
real acting job is calling that
24:39
because he was not a honey
24:42
it wasn't what I did at the door oh man
24:45
but he had his directing was to stand
24:48
here and reach forward like that David
24:50
had his computer right here he was
24:52
sitting right here
24:55
um and I don't think Peter Deming was
24:57
right in the middle and there was a big
25:00
cable right there and he sat here and he
25:02
goes okay when I tell you he's going to
25:04
knock at the door when I tell you to go
25:05
to the door then you go to the door
25:07
that's why there's that pause right very
25:09
long drawn out very drawn out
25:11
everything's drawn out you know Slow
25:14
Burn yeah
25:16
that is amazing that's the same door
25:17
that's so cool yeah see and the reason
25:19
this this is what I like is in in the
25:23
show you can see this because I know
25:24
this is here
25:26
this nail sticking out
25:27
because this wreath isn't there
25:32
so that nail is probably worth some
25:32
money yeah you guys want to buy it
25:36
that's great um we'll probably get a
25:39
shot of this as a trellis still over
25:42
here no it's not okay no but if you want
25:44
to a picture of the side she was saying
25:46
there was a big hedge here that moved a
25:48
couple years ago but it was here for a
25:49
while so that's the window right there
25:50
that she climbed out of
25:52
and the trellis is gone
25:59
she was amazingly nice and she does
25:59
tours of her home
26:00
he just
26:02
look it up online
26:04
and book a tour
26:06
for a minimal fee
26:08
well worth it well worth it
26:12
what'd you think
26:13
I don't know what to think yet that was
26:15
awesome it's gonna take some time of
26:16
probably a couple re-watches of
26:19
everything and then I'll probably
26:21
be able to process what just happened
26:24
it's not too often that an owner of a
26:26
screen use filming location houses that
26:28
kind
26:29
that's awesome
26:31
and she was also stating that that is
26:34
the screen use hedge also
26:37
down here at the end
26:50
all right moving on to some other spots
26:50
I don't really know how we're going to
26:51
top that but we're going to go to some
26:53
other spots still quite a few to go that
26:55
was amazing got a few photos in there as
26:57
well
26:59
front of the fireplace in the living
27:01
room
27:06
of course
27:06
stairwell gosh
27:09
what an image
27:11
we continued on and commuted about an
27:14
hour from where we just were over to
27:16
Fall City
27:17
where there are two locations side by
27:19
side that were used for the exteriors of
27:22
the road house one of them
27:23
being this little home over here
27:30
where all the motorcycles were parked
27:30
out front
27:35
and they had a little neon sign that
27:35
said the Roadhouse up top right here
27:39
did it say The Roadhouse or the book
27:41
house well I don't know if this had a
27:42
neon sign that one had the neon sign
27:44
this was the book house
27:46
the book house they never showed this
27:49
and this in the same frame however this
27:52
is really called The Roadhouse
27:55
they kept the name the Interiors were
27:57
not filmed in here but there is an angle
28:00
going across the bridge looking down
28:02
I'll show that in a second I'm gonna go
28:04
over here and kind of line this up where
28:05
all the motorcycles were now this is
28:06
pretty much the angle I can't tell if
28:08
this is a residence or if it's just like
28:09
a shed
28:11
let's use for something I can't tell
28:13
someone lives here or not
28:15
but all the motorcycles were right here
28:17
it was like
28:18
I don't know eight or ten motorcycles in
28:20
front of this thing
28:26
the book house I call it the Roadhouse
28:26
the book house boys on the motorcycles
28:28
right here as shown here
28:30
so there is a neon in the top corner but
28:33
I was incorrect
28:35
it's the book house not the Roadhouse
28:36
the road house is directly next door
28:39
but it's still standing there it is the
28:41
exteriors of the Roadhouse
28:43
as we stand here we're right here along
28:46
this little pylon
28:52
it's a lot busier than I expected when
28:52
they show it in the show it's kind of a
28:54
desolate area this is a very busy
28:56
intersection this is looking at it from
28:58
the side angle
29:06
and if you watch that scene this over
29:06
here used to have a staircase
29:08
leading up to the balcony but the
29:10
staircase is gone now
29:12
and the building was painted a different
29:14
color then
29:15
as well with the staircase went down
29:18
right along here
29:19
looking at this a little bit closer
29:22
looks like they kind of redid the whole
29:24
side
29:26
over on the far left side as well and
29:28
they got rid of that really great old
29:30
Neon
29:31
Building looks a little bit different
29:32
but you can definitely tell it's a spot
29:34
I just realized we were completely wrong
29:36
on where we were standing so they were
29:38
not parked in the car over where we were
29:40
over there they were parked in the car
29:41
directly behind us right here
29:44
because if you look at it from this
29:46
angle the neon was on the side of the
29:48
build they didn't remodel the building
29:50
we're looking into the Sun but we're
29:52
looking at it from this angle
29:54
mystery solved because when you look at
29:56
that scene
29:57
you can see this little overhang here
29:59
you can see this there's the stairwell
30:01
okay I got confused and this is the door
30:04
that they that everyone walks in here
30:06
characters walk by here they walk right
30:08
in here and the big neon was up there
30:10
which means when they were parked in the
30:12
automobile they were over here which
30:14
makes more sense because I was thinking
30:15
why are they parked in the road they
30:17
were parked over here near that near the
30:19
river and the trees
30:21
just over that bridge like a couple
30:22
hundred yards where we just were
30:24
is the diner haps
30:27
where they ate a meal inside and it
30:29
looks like it's closed but this looks
30:31
identical to how it was a fact
30:34
is this the same sign here this flower
30:36
Boutique where the
30:37
the sign was it looks a little larger
30:39
than it was though however
30:45
but that's the angle right there our
30:45
building was painted a different color
30:47
it's kind of par for the course of a lot
30:48
of these spots that we're going to
30:51
that is so cool this is a fire walk with
30:54
me see him standing right up against the
30:57
signage there you see the Hap's neon and
31:00
everything the windows still kind of
31:01
match up
31:16
oh I think it is I can already see from
31:16
here okay we peeked in the window and
31:18
100 we're both confident that the
31:20
Interiors were in here in fact you could
31:22
even see the bar where Kiefer and Chris
31:25
Isaac
31:27
we answered Isaac or Isaac esek Chris
31:32
sat the bar right in here that's gonna
31:34
be very tough to see it because the sun
31:36
is kind of glaring and we have our
31:38
reflection in the window but right here
31:40
on this very corner is where the stools
31:42
were where both of them sat
31:45
on that very very Corner in fact see
31:48
Behind These poles the red poles they
31:50
are still there
31:52
and that's where
31:53
the bar would have been
31:55
from the diner trying to get it without
31:57
a glare
31:58
looking through the window but you can
32:00
see those poles all still match up and
32:01
everything
32:02
that is pretty dang awesome so the
32:04
exterior and Interiors are all the same
32:08
all the doors are locked too we're
32:10
hoping we could kind of get in
32:11
match up some stuff but pretty epic
32:14
right
32:15
it's pretty cool I can't believe you've
32:16
noticed the bar where the bars did okay
32:19
here's another angle looking through
32:20
another window
32:21
right back into the room so you see the
32:24
discoloration of the ground that's where
32:26
the bar they were sitting at was and
32:29
there's those
32:30
there's those red Pole
32:33
and also I'm leaning over a thorn bush
32:35
right now this is very very prickly ah
32:43
okay here's one last look for heading
32:43
off to the next spot
32:52
just don't ask about
32:52
the specials
32:54
I want to hear about our specials we
32:56
don't have any
33:01
so wild it's just right there
33:03
this could take was here too
33:05
the grass
33:07
oh gotcha yeah so this was all set of
33:09
dirt it was all grass here yeah
33:12
and just to get some context of what it
33:13
looked like then
33:15
I really love how they have the Neon
33:17
going through the window against that
33:19
back wall and why they tour that iconic
33:22
bar that was beyond me this place is
33:24
just sitting empty now I wonder where
33:25
those bar stools are and I'm probably
33:27
gonna landfill somewhere we are taking
33:28
this walkway
33:33
over to the falls that were used in the
33:33
intro of pretty much every episode
33:40
gonna take this Footbridge across also
33:40
the lodge the exteriors of the lodge
33:43
the Great Northern
33:45
right over here no Interiors but all the
33:48
exteriors only shown a couple times
33:50
from this thing let me try to match
33:52
something up too now we are kind of
33:53
elevated above it but now it's called
33:54
the Salish Lodge and Spa but they have
33:57
the sign for the Great Northern right
33:58
down there in that spot
34:05
that's been remodeled I believe this
34:05
building over here has been added on
34:08
a pilot 1990 right was it 90 yeah
34:12
but where Audrey walks out of
34:15
on the way to school see it right there
34:17
you can see the two windows that are
34:19
facing that direction and the smoke
34:22
smoke top of the fireplace and
34:24
everything she walks right out of there
34:26
there's a lot less cars now and then
34:27
where she gets in the car you can kind
34:30
of see the kind of unique structure of
34:31
the building there they've added on to
34:33
it a lot also I'm trying to get this
34:35
while I'm standing on this bridge and
34:36
everyone that's walking over
34:38
feels like there's an earthquake
34:39
happening right below us this bridge is
34:41
very very
34:42
shaky but she gets in the car right
34:44
there kind of like more at that angle
34:52
still kind of looks the same even though
34:52
they've added a lot on just noticing
34:53
this brick little walkway is still the
34:55
same we're gonna try to match up exactly
34:58
where she was standing before she got in
35:00
the car you could see this all kind of
35:02
looks the same through here looking over
35:04
that way that's the that's what it looks
35:06
like all right after watching this
35:07
multiple times seeing exactly where she
35:09
walked we are pretty confident that her
35:13
foot was right here next to this little
35:16
indentation next to this L-shaped in
35:18
this small little box but the giveaway
35:20
is where this crack is combined with
35:23
that
35:24
looking that way
35:26
what do you think I think that's it yeah
35:27
I think that's it I think you did a
35:28
great job perfect yeah just give a
35:30
little frame of reference there is that
35:31
crack there's that L-shaped and it's the
35:34
only spot where there's a crack on this
35:35
part of the concrete that matches up to
35:38
this lengthy rectangle brick
35:48
from the lodge itself is this very
35:48
impressive waterfall here which could be
35:51
seen in every intro every version of the
35:52
intro
35:54
and then later on in the first season in
35:56
the Pilot in the first season you see it
35:58
from this angle kind of closer up but
36:00
there's a couple times where they show
36:01
like a wide wide angle also and you see
36:03
the lodge off in the distance but in the
36:06
season was a season three where they do
36:07
like the the drone over the top of it
36:09
looking down
36:12
energy
36:14
pretty amazing waterfall
36:20
just hearing the theme song in my head
36:20
right now Tom moved up to a different
36:22
section of the Overlook there's also a
36:24
lot of people up here that Park and walk
36:26
up here to get a view these Majestic
36:28
Falls
36:36
and speaking of the opening sea sequence
36:36
and scene there's this big log here now
36:39
since it's in the same spot in fact the
36:41
angle is kind of down like this
36:43
also burning daylight you see the sun's
36:45
starting to set
36:47
but they have covered the big log
36:49
with this
36:51
roof
36:58
all right that's the big log we are now
36:58
approaching the lumber mill from the
37:00
beginning
37:01
The Sawmill yeah
37:10
it's like a little bit of it's been torn
37:10
out
37:11
but there's still some marketable stuff
37:13
including the Smoke Stack there
37:30
and at the bottom of this hill is
37:30
another location
37:31
now this was used as an exterior and an
37:34
interior we're going to walk over there
37:35
momentarily
37:37
take a look at this Recreation
37:40
of the vehicle here
37:50
Twin Peaks fans
37:50
we are happy that we can provide you
37:51
with memorabilia we appreciate take
37:53
photos of daily please respect our
37:54
property equipment do not draw in the
37:56
dust or sit on the vehicle okay is this
37:58
screen used
38:00
I don't know
38:07
under no circumstances may you go beyond
38:07
the gate down the hill okay
38:10
because they use this area for rally
38:12
cars
38:13
it's like a racing building now
38:16
however welcome to take photos to the
38:18
upper parking lot and come inside the
38:20
building and take a look around
38:22
we're gonna go in yes
38:24
yes this is great I love it
38:30
I have to think I have to think I think
38:30
the stranger things got a lot of
38:32
influence from Twin Peaks
38:34
100 I mean they got a lot of influence
38:36
from 80s and 90s stuff
38:38
because this this looks like Hopper's
38:39
vehicle now here is what it looked like
38:41
then
38:42
of course the signage and everything has
38:44
changed in the big rock that was out
38:45
front with the
38:46
placard on it is changing the windows
38:48
have changed but you can definitely tell
38:49
us the same staircase up
38:51
leading into a place now that's now
38:52
called dirt fish and I said we can go in
38:54
but I can't really tell it's like
38:56
anybody's even in here
38:58
right here was that rock
39:03
I don't know I'm thinking there's
39:03
nothing there's no one in here
39:09
it's right across right across from
39:09
where the plant was is it open
39:17
okay we took a peek inside
39:18
went through the window was tough
39:18
because it's like a plate a plate of
39:21
plated a plate of glass with a glare is
39:23
pretty wild when you peeked in there it
39:24
doesn't really look the same as it did
39:26
yeah it looks like they gutted it Lucy's
39:27
desk looks like it did in the season
39:29
three but not like it did in the first
39:32
and second season and fire walk with me
39:34
looks like they opened up a big
39:37
I just love the
39:39
Broncos over there though that's great
39:42
and the fact that this is still over
39:44
here
39:45
that iconic Smoke Stack off in the
39:47
distance
39:52
yeah I have to wonder if when they
39:52
talked about it burnt being burnt down
39:53
in the show is it because it really
39:55
burnt down
40:01
there's this bridge that goes across the
40:01
river here
40:02
this is where Ronette was walking across
40:04
used to be a railroad Trestle bridge but
40:07
now I believe you can walk up there
40:10
okay there's other people walking up
40:11
there so let's go up there if you look
40:12
off in the woods you can see where the
40:13
tracks the train tracks connected they
40:16
tore that out
40:17
and is going this way
40:19
you're recreating her walking scene
40:27
I think it's right here yeah because you
40:27
can see these mountains off in the
40:29
the train tracks would be right here
40:35
I think they were down probably down
40:36
filming up and through at least for the
40:39
far away angles they were on the ground
40:41
kind of looking up at the
40:42
snow mountain peaks in the distance now
40:44
it's kind of interesting because she was
40:45
walking that direction
40:47
so walking that way however when the guy
40:50
is doing the film turning the flip
40:52
switch
40:53
the mountains this direction
40:55
and it's not in the same frame so they
40:57
could have just connected a little
40:58
little Hollywood trickery if you will
41:00
but behind her are these very tall
41:04
mountain ranges but behind him on the
41:06
flip switch is over here and obviously
41:09
they've uprooted a lot of that to make
41:11
it a walking trail as shown here is like
41:13
a power pole there's a flip switch I
41:15
think his line is what the hell
41:19
I didn't mean to sound like a bit from
41:21
Back to Future too
41:22
I believe his his statement was
41:25
what the heck
41:27
does that do it good enough that sounded
41:29
just like perfect okay we're trying to
41:31
find where the motorcycle scene is using
41:35
that bridge as
41:38
kind of a pinpoint
41:39
so he would have drove in lure on the
41:42
back of the bike I think coming this way
41:44
you think they're coming that way I
41:45
think they're coming this way okay this
41:48
is the turn that he goes oh that makes
41:49
sense yeah yeah it makes sense
41:52
see if I can find oh it's the I think
41:54
there's the pole too it's right around
41:56
here the power pole okay after analyzing
41:58
and watching the scene again appears as
42:00
if he drives down this way we might
42:01
we're just going off an assumption we
42:03
don't know 100 but it seems like they
42:05
put up a fake traffic light right there
42:07
in the middle and you see this pole
42:10
pulls over she jumps off the back of the
42:12
bike then kind of lays here in the
42:14
middle of the road and you can kind of
42:16
see a very unique tree it looks like two
42:18
poles
42:19
off in the distance see if we can find
42:20
that hey looking at this there's
42:21
actually two trees
42:23
now this has been decades ago so the
42:25
trees have grown a lot but there's two
42:27
trees side by side and she does run up
42:29
and incline Hill which means
42:32
she would have ran off that way it could
42:34
have been any of those trees that's
42:36
right over there but I think you're
42:37
right this is the spot with the
42:39
where he pulled over right here on the
42:41
side and she ran off in the woods and
42:42
here's another Bridge
42:44
used in one of the scenes as well where
42:46
they're being chased across here are
42:48
they on the motorcycle through here
42:57
it's kind of a stretch but we're looking
42:57
for the train car
43:00
it could be anywhere through here there
43:02
are a lot of old trains sitting down the
43:04
ways from The Railroad Museum which has
43:07
a lot of newer trains now in the movie
43:09
it was an old beat up
43:12
train which I do not see anything that
43:14
matches up through here so it might
43:16
still be a mystery okay went ahead and
43:18
parked the car now we're walking along
43:21
some of these look so similar but can't
43:23
really match any of them up
43:34
now obviously I know over the years
43:34
these could have been moved but there
43:36
are three sets of tracks so you got the
43:38
one they're all standing on the one over
43:39
to the left and one other to the right
43:40
which does match up to this general area
43:42
got the one set of tracks the second set
43:45
of tracks there that are empty and the
43:47
third set of tracks that the other
43:50
trains are on so this would be the area
43:51
here's what it looked like it was really
43:53
falling apart even then
43:55
again it could have been a little a
43:57
little farther down the railroad tracks
43:58
and they just have moved it and
44:01
no telling where this is could have just
44:03
been I would imagine it's not destroyed
44:05
though because all these other ones are
44:06
really old all right you win some you
44:08
lose some
44:10
the train is still a mystery
44:12
what was the train number you said you
44:13
looked it up 273 is what people say
44:16
online trained 273 passenger car there's
44:19
a rumor it's in Astoria Oregon there's a
44:21
rumor that it's been torn apart
44:24
the mystery continues we are now driving
44:27
the road over to Leo Johnson's place
44:31
where there was an abrupt stop
44:33
passing that driveway
44:35
and
44:37
in fact the building was under
44:38
construction
44:40
but it was this house right here on the
44:42
left if you've ever seen the SNL spoof
44:44
Chris Farley
44:46
plays Leo Johnson
44:48
yeah this right here this little
44:50
exterior room was being built at the
44:52
time the house was there without other
44:54
room was being built and this is looking
44:55
at it from the other angle kind of
44:57
wonder if Leo's huh it looks like Leo
44:59
lives there
45:07
all right turn it around more spots this
45:07
big truck isn't out there anymore
45:08
obviously it's all fictional but
45:11
you can see there it was being under
45:13
constructed
45:14
an Abrupt stopped actually this right
45:17
is where they stopped and they stopped
45:18
looking the other way
45:20
with the sun setting over there
45:22
could not finish off this day without
45:24
the most iconic spot
45:27
of all of them where the welcome to Twin
45:30
Peak sign was
45:33
foreign
45:34
population 51 201
45:36
or 204.
45:40
251 000 and change
45:43
201
45:45
the neat thing is so you got the river
45:46
over here to the side and this tree up
45:50
is in the show
45:51
and of course the mountains now the side
45:53
of the road we're standing on where you
45:55
can park the rental car there was a
45:57
bunch of trees the trees have been
45:58
removed also the telephone poles used to
46:00
be on the right side of the road facing
46:02
the way we're facing but they've been
46:04
moved over to the left side and the road
46:06
has been repaved
46:08
but it almost looks as hazy as it does
46:11
in that intro
46:13
at the moment
46:15
just stand right where the sign is you
46:16
see the river off to the side
46:18
we're Twin Peaks welcome to Twin Peaks
46:45
pretty dang neat we got one more spot
46:45
I want a piece of pie and some coffee
46:47
and some coffee
46:49
I've been waiting
46:51
I've been waiting for some coffee
46:54
last spot and a piece of pie Delicious
46:56
Pie got about a two mile commute
46:59
over to the next spot I thought I was
47:00
going to get a good view of the
47:01
mountains but now these trees are
47:03
obscuring it
47:07
okay there it is
47:07
two mile commute
47:13
all right that's pretty awesome got the
47:13
coffee and Pie there on the side this is
47:16
a great angle again I've said this about
47:18
other spots but it's a lot busier here
47:20
than it was in the show
47:22
but look at that that's like an epic
47:24
view there
47:25
tweets Cafe
47:28
Double R to go
47:33
this is where she did the Meals on
47:33
Wheels yes and fire walk with me I
47:36
definitely recognize this she would have
47:39
been parked kind of like right here yep
47:41
yep more or less give or take yeah and
47:44
then she gets handed that painting they
47:47
come from back here give her that
47:49
painting they take off that way the town
47:52
is called North Bend what if they ever
47:54
played any of the episodes at that
47:56
theater over there they're playing The
47:58
Pink Panther over there
48:01
hi it's Peter Sellers classic
48:03
unless it's just the animated Pink
48:04
Panther but probably the movie all right
48:06
we were looking
48:08
on the interwebs which you can always
48:09
trust the interwebs they were saying
48:12
across from the diner is where the
48:15
jailhouse scenes were and if that's true
48:17
oh I see some jail I see some bars back
48:20
there okay I tried to look inside and I
48:21
couldn't see any
48:23
I thought maybe I saw like some bars in
48:24
there they also filmed some stuff in
48:25
fire walk with me in here as well I
48:28
don't know if it's true or not but it'd
48:29
be kind of neat I don't know where the
48:31
jail scenes were it's a cool old
48:33
building and now over to the Double R
48:44
it's a good place to end it
48:44
it's definitely a good place to end this
48:46
slice of pie
48:53
oh I can already tell it looks the same
48:53
in there
48:56
still looks the same inside I just love
48:59
all this old Neon
49:01
when you step in it looks identical as
49:03
it did in the show
49:05
like down to a t no pun intended because
49:07
they have a big T out front for
49:09
for the the name so I had the chi get
49:11
its name
49:12
how the how was the sign oh the people
49:17
are m-a-r-t Martin Cafe and so whoever
49:20
bought it just put tweets instead of
49:22
them yeah
49:24
you can even see the T in the show
49:25
itself as well
49:27
but inside it looks pretty much
49:29
identical including the like elevated
49:31
stools up to the next of the bar they
49:33
said for us to just grab our own table
49:35
we didn't have any food they served
49:37
diner food they put breakfast lunch and
49:38
dinner food all the time but we just got
49:41
the classic pie and I was not
49:42
disappointed
49:44
at all in the pie and they have all kind
49:46
of stuff alluding to the show they
49:47
really embrace the show in fact when we
49:49
walk in the server was like oh I can see
49:50
you're taking pictures you're here for
49:51
Twin Peaks so we were not being very
49:53
just we were not being very secretive
49:56
in our in our ploy to have some
49:58
delicious pie
49:59
but mine was really good I give uh I
50:01
give the pie uh definitely a big thumbs
50:02
up and I don't normally get completely
50:04
black coffee normally I'll get cream and
50:06
sugar in it but because in the show he
50:08
drank black coffee I went with the full
50:09
on non-creamer non-sugar in the coffee
50:13
and the pie was sweet enough to kind of
50:15
kind of worked out
50:16
highly recommend this place
50:18
and that's about it any other final
50:20
thoughts of inside inside the Double R
50:22
uh I love it in this
50:25
it's like you're in Twin Peaks it really
50:27
is it's like stepping into the show for
50:29
sure I think we saved the best spot for
50:31
last and before heading out there's some
50:34
other stuff right here in the little
50:35
downtown area just look at this place
50:36
it's all like illuminated also inside
50:39
where the Coke machine was that's where
50:41
the Jukebox was that he walked in and he
50:43
sat right over here on this corner Booth
50:46
right over there for not Booth but on
50:49
that little corner area right there
50:55
I could have ate like four pieces of pie
50:55
I only got one but it was so dang good
50:58
it's not inexpensive however it is a
51:01
little
51:02
a little pricey but worth it it's a win
51:05
in row moment
51:11
or should I say winning Twin Peaks
51:11
moment and right next door there's a pub
51:13
here Twin Peaks Pub
51:20
North Bend Washington
51:20
fictional home Twin Peaks
51:28
I'm gonna ask something really dumb but
51:28
did they say the name of the state in
51:30
the show
51:32
so because it was supposed to be a
51:34
Canadian border okay they say Washington
51:38
but okay that's probably about
51:40
two hours North
51:46
all right let's head out all right bonus
51:46
footage we got one more spot
51:48
after the last spot we got one more spot
51:49
that we're gonna we're gonna go to bonus
51:52
footage even though I haven't ended the
51:53
video yet so not really about it
51:55
I guess it's not bonus footage because I
51:56
haven't done the outro yet but anyway
51:58
Delicious Pie
52:00
look at the size of this piece
52:03
this was much bigger than the pie they
52:05
gave I really do like this neon I'm kind
52:08
of glad we got here later in the evening
52:09
to see it all illuminated
52:12
you got a cherry pie here
52:14
that'll kill you
52:19
what's the quote he does about the
52:19
coffee there's only like a few treasured
52:22
things in life that you can have and one
52:24
of them is a cup of coffee give yourself
52:25
a gift every day like one time a day and
52:28
Don't Force It
52:30
let it happen
52:31
and treat yourself to a cup of coffee
52:33
slice a pie yes
52:36
I I don't have a pie every day but I
52:39
definitely follow suit with his
52:40
philosophy on coffee
52:43
what a great quote he nailed it
52:45
right off this road is where Big Ed's
52:48
gas Farm was
52:50
it looks a lot different
52:52
they've completely remodeled it yeah
52:56
where the gas and stuff was is right
52:58
where that Wall's at they must have they
53:00
extended that out yep and then Nadine
53:03
his wife's house right across the way
53:05
there she wanted to have the curtains of
53:07
the drapes silent drape Runners you know
53:10
what's interesting though there is a
53:11
screen used sign
53:13
still here on site from back in that
53:15
right across the street there is a fire
53:18
truck sign right over there it's still
53:22
there on the same pole
53:27
I mean it could have been a replacement
53:27
but it looks exactly the same
53:30
I don't know if this is where the gas
53:32
pumps could have been but you can see
53:34
there's like an interesting like
53:35
concrete slab underneath extension that
53:38
they built out
53:39
I mean I don't know that's like
53:41
it's kind of a long shot but
53:43
I'm telling you there's a door and it's
53:45
got
53:54
all right good eye on this notice how
53:54
this concrete protrusion right there
53:58
kind of bounces up a little bit that is
54:00
right here that's it that's the concrete
54:03
protrusion out
54:05
yeah good eye
54:08
so the pumps would have been right in
54:10
there duck those that's the original
54:12
thing
54:20
you think sir
54:20
okay I see what you're saying so they
54:22
were painted red there and now they're
54:24
painted green so that's you're right
54:25
that's exactly where
54:27
Big Ed's gas Farm gas pumps were right
54:30
good good eye so you see the pylons here
54:33
pylons there gas pumps here
54:36
it's been a long day
54:37
but we did it
54:39
Twin Peaks accomplished the whole day in
54:42
Twin Peaks all day in Twin Peaks you
54:44
probably got 75 I know the guy over
54:46
there is looking at his window at us 75
54:49
of the spots maybe give or take we got a
54:51
bunch from
54:52
fire walk with me and the pilot the
54:55
pilot episode and a couple other things
54:56
in there yeah all right I'll see the
54:58
next video we'll do the outro
55:00
I say the Vlog is over the Vlog is